Last chance to see “Synthesizers,” Takeshi Murata’s New York debut. The show is mostly made up of digital prints of mysterious, manufactured-looking spaces. Turns out the surreal, colorful interiors, peppered with recognizable objects like pill bottles, Pringles cans and barbells, look that way for a reason: Murata designs and appoints his interiors using computer software, virtually lights the space, and prints the images as a digital photograph.
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