Chicano conceptual performance collective ASCO’s Asshole Mural, 1975 (2013) presented by Nottingham Contemporary, U.K.
MAXIMILĆANO DURĆN/ARTNEWS
As the 2017 editionĀ of Armory Week comes to a close, here’s a fast-paced look at 12 notable booths and works of art at this year’s edition of NADA New York . For a detailed look at the art on display, head over to this article by my colleagues Anne Doran and Andrew Russeth .
In the booth of New York's Alden Projects: WALL SHOW ā PART 1. Lawrence Weiner, Douglas Huebler, Bob Huot, Robert Ryman, Mel Bochner, Sol Lewitt, Bill Bollinger / Ace (Gallery) . . . Los Angeles, California , rubberstamp on sheetrock, 1969. Cited by Lucy Lippard as follows: "Consecutively executed wall pieces" (Lippard, Six Years , p. 107.) Reproduced in Roberta Smith, "Art Invitations As Small Scraps of History," New York Times , May 16, 1993. MAXIMILĆANO DURĆN/ARTNEWS
Floor piece by SĆ©rgio Sister, at JosĆ©e Bienvenu Gallery. MAXIMILĆANO DURĆN/ARTNEWS
View of the booth of Klemm's, Berlin.MAXIMILĆANO DURĆN/ARTNEWS
Chairs by Mary Heilmann at Whitechapel Gallery. MAXIMILĆANO DURĆN/ARTNEWS
View of Safe Gallery's booth. MAXIMILĆANO DURĆN/ARTNEWS
Stress balls by Bettina Hubby, at LAND (Los Angeles Nomadic Division). MAXIMILĆANO DURĆN/ARTNEWS
Jonathan VanDyke at 1/9unosunove, Rome. MAXIMILĆANO DURĆN/ARTNEWS
Chicano conceptual performance collective ASCO's Asshole Mural, 1975 (2013), presented by Nottingham Contemporary, U.K. MAXIMILĆANO DURĆN/ARTNEWS
The booth of Viewing Room, New York. MAXIMILĆANO DURĆN/ARTNEWS
View of the booth of Capital, San Francisco, with work by Bill Jenkins and Justin Morin. MAXIMILĆANO DURĆN/ARTNEWS
Detail of Andi Schmied at TrapĆ©z, Budapest. MAXIMILĆANO DURĆN/ARTNEWS
An E.T. figure, by Jeremy Couillard, types away at a laptop, at Yours, Mine, & Ours, New York. MAXIMILĆANO DURĆN/ARTNEWS