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The Spring/Break Art Show has returned to New York for its fifth year, taking over the third and fourth floors of the Skylight at Moynihan Station near Penn Station. The fair differs from most Armory Week standbys in that curators, not dealers, select the work on view. The exhibition is a long and exhilarating journey chock-full of surprises and humor, with each of the exhibitors taking on this year’s theme: “⌘COPY⌘PASTE.”
Click on the images below to take a tour of the fair.
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Installation view of room 3103, "Aaron Pexa: The Lucent Parlor," a special project by Cade Tompkins Projects.
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Installation view of room 3105, "This is our House. This is our Rules," curated by Dennis Dawson.
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Installation view of works in room 3107, "Matthew Fisher: Ten Years," curated by Jon Lutz.
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A work by Talwst Santiago, in room 3111's "Minimized Histories," curated by Magdalyn Asimakis.
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Installation view of room 3113A, "John Richey: uniform," curated by Marly Hammer.
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Installation view of room 3115, "Portable Mind," curated by Margaret Lanzetta and Jodie Lyn-Kee-Chow.
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Installation view of room "Same-Same, But Different," curated by Aaron Levi Garvey, with the artist Alanna Vanacore.
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Installation view of room 3118, "Extruded Daydream," curated by Jessica Hodin.
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Installation view of room 3122, "The Midnight Society," curated by Jac Lahav, Adam Thompson, and Susannah Palmer.
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Installation view of room 3126, "The Boy Will Bounce," curated by Alva Calymayor.
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Installation view of room 3109, "Relegate The Flesh," curated by Juliette Premmereur + Nicole Grammatico.
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Installation view of room 3104, "Apt #3104," a special project by Shulamit Nazarian, Los Angeles, curated by Renee Fox.
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Installation view of room 3100, "LVDIY," a special projecy by 101/EXHIBIT, curated by Kevin Van Gorp and Shen-Shen Wu.
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Installation view of room 4000,"Last Year at Moynihan," showing work by Cate Giordano, curated by Catherine Mahoney.
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Installation view of room 3101A, "Ori Carino," curated by Ambre Kelly and Andrew Gori.
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Installation view of room 4105, "Words Words Words," curated by Marc Azoulay.
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Installation view of room 4105, "Words Words Words," curated by Marc Azoulay.
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Installation view of room 4109, "Double to Erase," curated by Michael Valinsky and Gabrielle Jensen.
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Installation view of room 4111, "The Governor and His Muse," curated by Robert Dimin.
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Installation view of room 4113, "Facade," curated by Elizabeth Denny.
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Installation view of room 4127A, "MHOAUNTDH," with work by Esmeralda Kosmatopoulos, curated by Ché Morales and Amanda Uribe.
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Installation view of room 4129, "I see myself in your eyes," curated by Vanessa Albury, Rachel Rampleman, and Lynn.
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Installation view of room 4121, "These Things Take Time," curated by Alex McQuilkin and Andy Mister.
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Performance view of room 4122A, "L-DOPA," curated by Eve Sussman and Simon Lee.
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Installation view of room 4122, "Dopplenamer," curated by Elisabeth Smolarz, Jamie Diamond, and Lauren Silberman.
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Installation view of room 4116, "Pink Elephants on Parade," curated by Emily Davidson and Stuart Lorimer.
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Performance view of room 4114, "Bargain Basement," curated by Adam Parker Smith.
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Installation view of room 4110, "Tome Dicillo: The Art of Unemployment," curated by Sara Driver.
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Installation view of room 4110, "Tome Dicillo: The Art of Unemployment," curated by Sara Driver.
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Installation view of room 4104, "Blue-Sky Thinking," curated by Corey Oberlander and Lindsey Stapleton.
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Installation view of room 4102, "Azikiwe Mohammed: A New Davonhaime Thrift Store," curated by Dustin Yellin.
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Installation view of room 4100, "Visceral Cavities," curated by Nick Doyle.
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Installation view of room 4002, "Light Show," curated by Jonah Freeman.
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Installation view of room 4006, "Greg Haberny: Unhinged," a special project curated by Catinca Tabacaru.
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Installation view of room 4005, "You Can Call Me Baby," curated by Myla Dalbesio.
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Installation view of room 4005, "You Can Call Me Baby," curated by Myla Dalbesio.
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Installation view of room 4005, "You Can Call Me Baby," curated by Myla Dalbesio.
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Installation view of room 4017, "Up Against the Wall," curated by Katya Valevich and Julie Solovyeva.
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Installation view of room 4032, "Knife Hits," curated by Rachel Phillips.
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Installation view of room 4034, "Glory Hole," curated by 1985, Rémy Bennett, and Kelsey Bennett.
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Installation view of 4026, "Cannibals," curated by Jo Shane and Maripol.
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Installation view of room 4022, "Mutually Assured Destruction," curated by Ambre Kelly and Andrew Gori.
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Installation view of 4026, "Cannibals," curated by Jo Shane and Maripol.
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Installation view of room 4018A, "Making Strange," curated by Rachel G. Barnard.
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