
RICHARD PRINCE (@RICHARDPRINCE4)/VIA TWITTER
RICHARD PRINCE (@RICHARDPRINCE4)/VIA TWITTER
Collecting (and Losing) Art
After denouncing his “Instagram Portrait” of Melania Trump and calling it “fake art,” Richard Prince has gotten back the $36,000 the President-elect’s daughter paid for his work. [Twitter/The New York Times]
“Six mistakes you might be making in hanging or cleaning your art.” [Chicago Daily Herald]
Market
Brice Marden is now represented by Gagosian Gallery. He was formerly represented by Matthew Marks. [The New York Times]
Museums
Holland Cotter reviews the Grey Art Gallery’s “Inventing Downtown” show, which surveys artist-run spaces in Lower Manhattan between 1952 and 1965, calling the exhibition, “funky, diverse, down to earth.” [The New York Times]
Aruna D’Souza reviews Nina Katchadourian’s audio tour for the Museum of Modern Art. [4 Columns]
The Wichita Art Museum is looking for a new curator after its last one, Lisa Volpe, accepted a job at the Museum of Fine Arts, Houston. [The Wichita Eagle]
What Jeffrey Deitch Did Today
Jeffrey Deitch is teaming up with the clothing line Uniqlo for “Art for All,” a store within a store that will peddle relatively inexpensive artworks. [Business of Fashion]
Looking Toward the Future
The Pantheon in Rome may start charging an admission fee, to help the Italian city maintain the monument. [The Art Newspaper]
Photographer Petra Collins plans to make a horror film next, because “it’s a genre that you can subvert and create any story.” [Vanity Fair]
Net Art
With Rhizome having added Alexei Shulgin’s Form Art (1997) to its Net Art Anthology, the artist discusses his work with Josephine Bosma. [Rhizome]