COURTESY P.P.O.W.
The 24th edition of the Armory Show opens to the public on Thursday, March 8, with a preview day on Wednesday, March 7. The fair will bring together more than 198 international galleries to Piers 92 and 94 on Manhattan’s Westside. Among the highlights are Betye Saar at Los Angeles’s Roberts Projects, Paul Mpagi Sepuya at New York’s Yancey Richardson, Faith Ringgold at London’s Pippy Houldsworth Gallery, and Prem Sahib at Rome’s Galleria Lorcan O’Neill. (Here’s Part 2 of the preview.)
Click the photos below to see works on offer at the fair.
ALL IMAGES: COURTESY THE ARTIST AND THEIR GALLERY; ADDITIONAL CREDITS WHERE NOTED
01
P.P.O.W., New York
David Wojnarowicz, Untitled (One Day This Kid), 1990–91/2018, serigraph on archival paper in 10 languages.
Pippy Houldsworth Gallery, London
Faith Ringgold, Black Light Series #12: Party Time, 1969, oil on canvas.
©FAITH RINGGOLD/COURTESY ACA GALLERIES, NEW YORK AND PIPPY HOULDSWORTH GALLERY, LONDON
Yancey Richardson Gallery, New York
Paul Mpagi Sepuya, Study Reflecting Dureau (0X5A1227), 2017, archival pigment print.
Roberts Projects, Los Angeles
Betye Saar, Searching for a Vision of Truth, 2016, mixed media assemblage.
Rhona Hoffman Gallery, Chicago
Gordon Parks, Untitled, Harlem, New York, 1963.
©THE GORDON PARKS FOUNDATION/COURTESY THE FOUNDATION
Galleria Lorcan O’Neill, Rome
Prem Sahib, Stone, 2017, steel drinking fountain and resin.
Galerie Ron Mandos, Amsterdam
Mohau Modisakeng, Untitled (performance still from Zion), 2017.
Jack Shainman Gallery, New York
Radcliffe Bailey, Notes from Tervuren, 2014, gouache, collage, and ink on paper.
Gagosian
Nam June Paik, Lion, 2005, three-channel video (color, silent), with 2 plasma monitors and 26 CRT monitors and wood lion with acrylic and permanent oil marker additions.
©NAM JUNE PAIK ESTATE
ProyectosMonclova, Mexico City
Helen Escobedo, Desenvolvimiento, 1977, lacquered wood.
STUDIO MICHAEL SAILSTORFER/COURTESY THE ESTATE OF HELEN ESCOBEDO AND PROYECTOSMONCLOVA
David Castillo Gallery, Miami Beach
Sanford Biggers, Parallaxadaisical, 2017, antique quilt, birch plywood, and gold leaf.
Vistamare, Pescara, Italy
Joseph Kosuth, ‘Maxima Proposito (Ovidio) #19’, 2017.
FILIPPO ARMELLIN
Galeria Nara Roesler, São Paulo, Rio de Janeiro, and New York
Artur Lescher, Grande Marco, 2016, brass and multifilament line.
Edwynn Houk Gallery, New York
Stephen Shore, Room 125, West Bank Motel, Idaho Falls, Idaho, July 18, 1973, 1973, chromogenic print.
Galleria Massimo Minini, Brescia, Italy
Sheila Hicks, Dancing the twist, 2016, linen, cotton, and silk on wood support.
Galerie Vera Munro, Hamburg, Germany
Franz Erhard Walther, "In Sprache überführen", 1984, cotton fabrics and wood.
Galerie Lelong & Co., New York and Paris
Alfredo Jaar, A Logo for America (detail), 1987/2014, five black-and-white pigment prints.
Paragon | Contemporary Editions Ltd, London
Ibrahim El-Salahi, The Tree, 2016.
©IBRAHIM EL-SALAHI
Mor charpentier, Paris
Uriel Orlow, The Fairest Heritage, 2016, single-channel video.
Galerie Nathalie Obadia, Paris and Brussels
Seydou Keïta, Untitled, 1952–55.
©SEYDOU KEÏTA, SKPEAC/COURTESY CAAC, THE PIGOZZI COLLECTION AND GALERIE NATHALIE OBADIA
König Galerie, Berlin
Kathryn Andrews, Black Bars: Déjeuner No. 14 (Girl with Bandana, Campfire Mug, Comb, Grapefruit Slice and Fly Swatter), 2017, aluminium, Plexiglas, ink, and paint.
ROMAN MÄRZ
Pierogi, New York
Patrick Jacobs, Two heads are better than one, 2017, Styrene, cast neoprene, paper, polyurethane foam, ash, talc, starch, acrylite, vinyl film, copper, wood, steel, lighting, BK7 glass, and viewed through 2.75 inch lens.
Galeria Plan B, Berlin
Achraf Touloub, Assis sur le bord des equivalences (Sitting on the edge of equivalences), 2017, ink and acrylic on paper.
Sies + Höke Galerie, Düsseldorf, Germany
Talia Chetrit, Self-portrait (all fours), 2017, inkjet print.
i8 Gallery, Reykjavik, Iceland
Ragna Robertsdottir, Untitled, 1986, manilla rope, linen, and slate.
Shoshana Wayne Gallery, Santa Monica, California
Rachel Lachowicz, The Sheriff / Barbershop, 2017, lipstick, wood, plexiglass, hardware, and paint.
Van Doren Waxter, New York
Brian Rochefort, Asteroid, 2018, stoneware, glaze, and glass fragments.
Alan Cristea Gallery, London
Yinka Shonibare, Cowboy Angels, 2017, woodcut with fabric collage.
Bruce Silverstein, New York
Aaron Siskind, from the series "Martha's Vineyard," 1950s, gelatin silver prints.
Daniel Faria Gallery, Toronto
Allyson Vieira, Worker 1, 2015, concrete and steel.
Gallery Taik Persons, Berlin
Grey Crawford, Umbra #02, 1975, gelatin silver print.
©GREY CRAWFORD
Galerie GP & N Vallois, Paris
Richard Jackson, La Palette Sign, 2017, neon and wood.