COURTESY THE ARTIST AND RHONA HOFFMAN GALLERY, CHICAGO
The 16th edition of Art Basel Miami Beach opens to the public on the afternoon of Thursday, December 7, with a preview day on Wednesday, December 6. The fair will bring together more than 268 galleries from 32 countries to the beach city. (Part 2 looks at the exhibitors in the other sectors of the fair.) Among the highlights are Rodrigo Torres at Rio de Janeiro’s A Gentil Carioca, Kevin Beasley at New York’s Casey Kaplan, and Barthélémy Toguo at Stevenson Gallery of Johannesburg and Cape Town, South Africa.
Click the photos below to see works on offer at the fair.
ALL IMAGES: COURTESY THE ARTIST AND THEIR GALLERY; ADDITIONAL CREDITS WHERE NOTED
01
Art Concept, Paris
Caroline Achaintre, Brutus, 2016, hand-tufted wool.
A Gentil Carioca, Rio de Janeiro
Rodrigo Torres, Untitled, acrylic paint over ceramics.
PEDRO AGILSO
Acquavella Gallerries, New York
Joaquin Torres-Garcia, Infinito, 1943, oil on board.
©ALEJANDRA, AURELIO AND CLAUDIO TORRES, SUCESIÓN J.TOREES-GARCIA, MONTEVIDEO
Altman Siegel Gallery, San Francisco
Trevor Paglen, Lenna, 2017, pigment print.
Anthony Meier Fine Arts, San Francisco
Yayoi Kusama, Untitled (RC#60), 1953, watercolor on paper.
Bergamin & Gomide, São Paulo
Mira Schendel, Untitled, 1982, tempera and gold leaf on eucatex.
Bernier Eliades, Athina
Helmut Stallaerts, The Exclusion, 2016, oil and beeswax on canvas, with stained glass.
BORIS KIRPOTIN
Bureau, New York
Erica Baum, Caution, 2017, archival pigment print.
Casa Triângulo, São Paulo
Lucas Simões, Abismo [Abyss], 2017, concrete, metal, and paper.
Casey Kaplan, New York
Kevin Beasley, In my other dream I imagined a landscape, 2017, house dresses, kaftans, t-shirts, socks, du-rags, altered garments, altered fitted caps,
altered bed sheet, butterfly pin, resin.
JASON WYCHE
Galerie Chantal Crousel, Paris
Anri Sala, Light pushing #2, 2002, black-and-white photograph on baryta paper.
Cheim and Read, New York
Ron Gorchov, Pleione, 2016, oil on linen.
BRIAN BUCKLEY
Cherry and Martin, Los Angeles
Kwame Brathwaite, Untitled (Sikolo with Carolee Prince Designs), 1968, archival pigment print.
© KWAME BRAITHWAITE
Ameringer McEnery Yohe, New York
Helen Frankenthaler, Enigma, 1975, acrylic on canvas.
Contemporary Fine Arts, La Jolla, California
Sarah Lucas, Silver Hippy, 2017, tights, fluff, chair.
JOCHEN LITTKEM
Corbett vs. Dempsey, Chicago
Brian Calvin, Observation, 2017, acrylic on linen.
Cristina Guerra, Lisboa
Monk, Untitled (layout for Parking Structure with additional object) I, 2017, hand-tufted wool.
DAN Galeria, São Paulo
Josef Albers, Structural Constellation, 1962.
David Nolan Gallery, New York
Mel Kendrick, Red Holes 2, 2016, mahogany and red Japan color.
Di Donna, New York
René Magritte, Le Baiser, 1957, gouache on paper.
Edward Tyler Nahem Fine Art, New York
Robert Rauschenberg, Periwinkle Shaft, 1979–80, solvent transfer, acrylic paint, gesso, gel medium, silk and various fabrics, mirrored Plexiglas, wood, plastic, comb, painter’s brush, and sculptural fish on five shaped wood panels with electric light.
Edwynn Houk Gallery, New York
Sally Mann, Candy Cigarette.
© SALLY MANN
Galería Elba Benítez, Madrid
Ernesto Neto, Rede cristalina da floresta e a ee a e aa, 2014, polyester and polyamide rope, wood, rose quartz, and amethyst.
LUIS ASIN
Fortes D'Aloia & Gabriel, São Paulo
Valeska Soares, Conjunction, Punctuation II, 2016, linen, wooden embroidery frames, and embroidery.
EDUARDO ORTEGA
Galerie Lelong & Co., New York
Etel Adnan, Untitled, 2017, oil on canvas.
©ETEL ADNAN
Galerie Guido W. Baudach, Berlin
Andy Hope, Memories found in a dog's mind, 2017, acrylic and oil on board.
Ingleby, Edinburgh, Scotland
Jonathan Owen, Untitled, 2017, 9th-century marble bust with further carving.
JOHN MCKENZIE
Stevenson Gallery, Johannesburg, Cape Town
Barthélémy Toguo, Black Lives Matter, 2017, watercolour and ink on paper, wood and metal.
Rhona Hoffman Gallery, Chicago
Deana Lawson, Mother Tongue, 2013, ink-jet print, mounted on Sintra.
Michael Rosenfeld Gallery, New York
Claire Falkenstein, Sun, 1960, copper and enamel.
©THE FALKENSTEIN FOUNDATION
P.P.O.W, New York
Betty Tompkins, Women Words #40 (Mantegno), 2017, acrylic on paper.
Lehmann Maupin, New York and Hong Kong
Teresita Fernández, Nocturnal (Turbulence) 2, 2016 solid graphite and pencil on wood panel.