Sfeir-Semler Gallery , of Beirut and Hamburg, will offer Yto Barrada ’s Rainbow , 2018, at Art Basel Miami Beach.
COURTESY THE ARTIST AND SFEIR-SEMLER GALLERY, BEIRUT AND HAMBURG
The 17th edition of Art Basel Miami Beach opens to the public on Thursday, December 6, with a preview day for invited guests on Wednesday. The fair brings together 268 galleries from 35 countries, including 29 first-time exhibitors, to the beach town’s convention center. Part 1 of ARTnews ’s two-part preview looks at the exhibitors in the main Galleries section of the fair.
Among the highlights are a 1936 portrait of Dora Maar by Man Ray at New York’s Edwynn Houk Gallery ; Gillian Wearing posing as Georgia O’Keeffe at Tanya Bonakdar of New York and Los Angeles; Trevor Paglen at San Franicsco’s Altman Siegel ; Norman Lewis at New York’s Michael Rosenfeld Gallery ; David Wojnarowicz at New York’s P.P.O.W. ; and Odires Mlászho at São Paulo’s Vermelho .
Click the photos below to see works on offer at the fair.
ALL IMAGES: COURTESY THE ARTIST AND THEIR GALLERY; ADDITIONAL CREDITS WHERE NOTED
Altman Siegel, San Francisco Trevor Paglen, Agathla Peak Hough Transform; Haar , 2018, silver gelatin LE print.
Bergamin & Gomide, São Paulo Tunga, Love Me Knot (Hyena) , 2007, cast aluminum, braided iron wires covered with nylon, epoxy resin. DING MUSA
Sfeir-Semler Gallery, Beirut and Hamburg Yto Barrada, Rainbow , 2018, wood and paint.
P.P.O.W., New York David Wojnarowicz, Untitled , 1985–87, mixed media painting.
Edwynn Houk Gallery, New York Man Ray, Dora Maar , 1936.
Hammer Galleries, New York René Magritte, Le discours de la méthode , ca. 1965–66, oil on canvas. ©2018 C. HERSCOVICI, BRUSSELS AND ARTISTS RIGHTS SOCIETY (ARS), NEW YORK
Kasmin, New York William N. Copley, Why Are You Staring , 1986, acrylic on canvas. ©THE ESTATE OF WILLIAM N. COPLEY, LLC
Stevenson, Cape Town and Johannesburg Zanele Muholi, Muzi Khumalo III, Constitution Hill, Braamfontein, Johannesburg , 2010, C-print.
Paula Cooper Gallery, New York Sarah Charlesworth, Golden Boy , 1983–84, cibachrome with lacquered wood frame.
Tanya Bonakdar Gallery, New York and Los Angeles Gillian Wearing, Me as O'Keefe , 2018, bromide print, framed. COURTESY THE ARTIST; MAUREEN PALEY, LONDON; AND TANYA BONAKDAR GALLERY, NEW YORK AND LOS ANGELES
Vermelho, São Paulo Odires Mlászho , from the series "Retratos possuídos" (Possessed Portraits), 1999, mineral pigment print on paper.
Kohn Gallery, Los Angeles Jonathan Lyndon Chase, butt naked dressed in nothing but pearls , 2018, marker, acrylic, oil, and spray paint on canvas, styrofoam heads. COKE O’NEAL
David Zwirner, New York, London, and Hong Kong Chris Ofili, Innervisions...Too High , 1998. ©CHRIS OFILI
David Castillo Gallery, Miami Pepe Mar, Checkerboard , 2018, acrylic on printed fabric. ZACH BALBER
Stephen Friedman, London Luiz Zerbini, Xingú , 2018, acrylic on canvas. PAT KILGORE/©LUIZ ZERBINI
Michael Rosenfeld Gallery, New York Norman Lewis, Street Musicians , 1948, oil on canvas.
Marian Goodman Gallery, New York, London, and Paris John Baldessari, Clouds (Incomplete): Two Sailboats/Chaotic Situation , 1992, color photographs and acrylic.
Kavi Gupta, Chicago Manish Nai, Untitled , 2018, used clothes and wood.
Galerie Chantal Corusel, Paris Haegue Yang, Roll Cosies - Toilet Tissue Jumbo Rolls , 2011, wrapped objects with knittings, six elements. FLORIAN KLEINEFENN
kurimanzutto, Mexico City and New York Sarah Lucas, EXACTO , 2018, vinyl chair and LED lights.
Ruth Benzacar Galería de Arte, Buenos Aires Liliana Porter, Untitled (Circle, version IIB) , 1973–74, gelatin silver print and pencil. IGNACIO IASPARRA
Kayne Griffin Corcoran, Los Angeles Mary Obering, Firefall , 1975, acrylic on canvas.
ProyectosMonclova, Mexico City Eduardo Terrazas, 0.2 , from the series "Zero," 1969, oil on canvas.
Galeria Nara Roesler, São Paulo, Rio de Janeiro, and New York Carlito Carvalhosa, Untitled (P58/18) , 2018, oil and wax on wood.
Garth Greenan Gallery, New York Howardena Pindell, Autobiography: Japan (Tombo No Hane) , 1982–83, mixed media on canvas.
Jorge Mara - La Ruche, Buenos Aires Horacio Coppola, London , 1935, gelatin silver print.
Fredric Snitzer Gallery, Miami Zeke Berman, Drawing Board Diptych , 1987, vintage gelatin silver print.
Goodman Gallery, Johannesburg and Cape Town Shirin Neshat, Soliloquy Series 1999, gelatin silver print.
Gagosian Roy Lichtenstein, Expressionist Head , 1980, painted and patinated bronze with painted wooden base. ROB MCKEEVER/©ESTATE OF ROY LICHTENSTEIN/COURTESY GAGOSIAN
Di Donna Galleries, New York Alexander Calder, Crag with Yellow Boomerang and Red Eggplant , 1974. ©2018 CALDER FOUNDATION, NEW YORK AND ARTISTS RIGHTS SOCIETY (ARS), NEW YORK
Dan Galeria, São Paulo Ferreira Gullar, A Revelação do Avesso N. 57 , 2014, paper collage.
Cardi Gallery, Milan and London Salvatore Scarpitta, Scribe , 1962, bandages, belt, wood, and mixed media on wooden armature.
David Kordansky Gallery, Los Angeles Kathryn Andrews, Licorice , 2018, stainless steel, aluminum, ink, and paint. FREDRIK NILSEN
303 Gallery, New York Collier Schorr, Kool-Aid Nude , 2018, dye-sublimation print on Chromaluxe aluminum mounted on Dibond.
Fortes D’Aloia & Gabriel, São Paulo and Rio de Janeiro Nuno Ramos, Luz Negra (still), 2002, 16mm film. ©NUNO RAMO
Richard Gray Gallery, Chicago and New York Theaster Gates, Summer Tones for a Fall Situation , 2018, digital and screen print on Somerset 330 gsm paper.
Van Doren Waxter, New York Robert Mangold, Four Triangles Within a Square , 1976, pencil on paper.
Sean Kelly, New York Alec Soth, Ute's Books, Odessa , 2018, archival pigment print. ©ALEC SOTH
Blum & Poe, Los Angeles, New York, and Tokyo Julian Hoeber, Execution Changes #96 (CS, Q1, LRJ, DC, Q2, LMJ, DC, Q3, CJ, DC, Q4, RMJ, DC) , 2018, acrylic, molding paste, colored pencil, and string on linen over panel. ©JULIAN HOEBER
Peter Freeman, Inc., New York Mel Bochner, It’s Always Something / It Goes Without Saying , 2018, oil on velvet, in two parts.