The sixth edition of Frieze New York opens to the public on Friday, May 5, with a preview day on Thursday, May 4. The fair will bring together more than 200 galleries from 31 countries to Randall’s Island Park, located in the East River. Among the highlights are Hudinilson Jr. at São Paulo’s Galeria Jaqueline Martins, Felipe Jesus Consalvos at Philadelphia’s Fleisher/Ollman, and Aura Rosenberg at New York’s Martos Gallery.
Click the photos below to see works on offer at the fair.
ALL IMAGES: COURTESY THE ARTIST AND THEIR GALLERY; ADDITIONAL CREDITS WHERE NOTED
Cheim & Read, New York
Jenny Holzer, 10 Inflammatory Essays (detail), 1979-82, set of 10 offset posters on colored paper.
©JENNY HOLZER, MEMBER ARTISTS RIGHTS SOCIETY (ARS), NY
Galeria Jaqueline Martins, São Paulo
Hudinilson Jr., zona de tensão, ca. 1980s, photocopy.
Walden, Buenos Aires
Ulises Carrión, From the series Margins, 1976, torn graph paper sheets.
Mitchell Algus Gallery, New York
Agustin Fernandez, Untitled, 1984, graphite on paper.
Hauser & Wirth
Lorna Simpson, Black & Ice, 2017, ink and screenprint on gessoed wood panel.
JAMES WANG/©LORNA SIMPSON
Felipe Jesus Consalvos, Which America, 1920–60, mixed media collage on found object.
COURTESY DOODLETOWN FARM, LLC
Maureen Paley, London
AA Bronson, White Flag #6, 2015, rabbit skin glue, champagne chalk, and raw honey on wool, cotton and metal grommet on linen.
The Breeder, Athens
Chrysanne Stathacos, Golden Rose Thread, 2016, printed painting with costume and gold lace on painter’s canvas.
Martos Gallery, New York
Aura Rosenberg, Head Shots: Mike Kelley (detail), 1993–2017, ink-jet print on Hahnemühle paper, series of 22 photographs.
Bridget Donahue, New York
Susan Cianciolo, Mari, 2016, ink on paper.
IVORY SERRA/©SUSAN CIANCIOLO
On Stellar Rays, New York
Rochelle Feinstein, Studio view, 2017.
VI, VII, Oslo
Eva LeWitt, Untitled, 2017, acetate and foam.
Instituto de Visión, Bogotá
Fernell Franco, From de series: Interiors, 1990, hand-painted black-and-white photograph.
Lévy Gorvy, New York
Frank Stella, Nowe Miasto II, 1973, acrylic on canvas, epoxy on cardboard, chipboard and felt mounted to shaped panel construction.
P.P.O.W., New York
David Wojnarowicz, Untitled (Peter Hujar Dreaming triptych), 1982, spray paint on wood.
Chapter, New York
Milano Chow, Frame (Double Column), 2017, graphite, ink, acrylic, and photo transfer on paper.
Carroll / Fletcher, London
Thomson and Craighead, Stutterer, 2014, two-channel moving images, generative software.
Galerie Thaddaeus Ropac, London, Paris, and Salzburg
Robert Longo, Study of Obama Leaving - working title, 2016, ink and charcoal on vellum.
David Kordansky Gallery, Los Angeles
Tala Madani, Through modernism, 2017, oil on linen.
Virginia Jaramillo, Untitled, 1971, oil on canvas.
Lisson Gallery, London and New York
Anish Kapoor, Void, 1990, fiberglass and pigment.
Lehman Maupin, New York and Hong Kong
Catherine Opie, Untitled #11, 2012, pigment print.
©CATHERINE OPIE/COURTESY THE ARTIST, REGEN PROJECTS, LOS ANGELES, AND LEHMANN MAUPIN, NEW YORK AND HONG KONG
Tokyo Publishing House, Tokyo
Tatsuo Kawaguchi, Interrelation, 1967, plywood, vinyl, acrylic resin, and nuts and bolts.
Jack Shainman, New York
Hayv Kahraman, Mnemonic Artifact 1, 2017.
Simon Preston Gallery, New York
Josh Tonsfeldt, Untitled, 2017, hydrostone, prism film, resin, pigments, fiberglass, and sawdust.
Anton Kern Gallery, New York
Wilhelm Sasnal, Kacper, 2016, oil on canvas.
Overduin & Co., Los Angeles
Agnieszka Polska, The Kiss, 2017, C-print.
Office Baroque, Brussels
David Diao, Actual Scale, 2010, acrylic on canvas.