COURTESY THE ARTIST AND PROJECT NATIVE INFORMANT, LONDON
The eighth edition of Independent New York opens to the public on Friday, March 3, with a preview day on Thursday, March 2. The art fair, which returns to Spring Studios in Tribeca for a second year, will gather 52 exhibitors from 20 cities, with 15 holding booths for the first time. The invitational fair, co-founded by Elizabeth Dee and Darren Flook in 2010, will have five themes across the fair: solo exhibitions by women artists, 1980s-generation artists, key works from the ’70s, inter-generational groupings, and site-specific installations. Among the highlights are Barbara Bloom at David Lewis, Howardena Pindell at Garth Greenan Gallery, and Derrick Adams at Tilton Gallery.
Click the photos below to see works on offer at the fair.
ALL IMAGES: COURTESY THE ARTIST AND THEIR GALLERY; ADDITIONAL CREDITS WHERE NOTED
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Project Native Informant, London
Hal Fischer, A Salesman, 1979 (printed 2015), carbon pigment print.
David Lewis, New York
Barbara Bloom, (No Journalists), 1981, archival digital prints.
Canada, New York
Katherine Bradford, Couple, Beach, 2016, acrylic on canvas.
JASON MANDELLA
Garth Greenan Gallery, New York
Howardena Pindell, Video Drawings: Swimming, 1976, chromogenic print.
Maureen Paley, London
Wolfgang Tillmans, corridor installation, 2010, ink-jet print mounted on Dibond in artist’s frame.
©WOLFGANG TILLMANS
Freedman Fitzpatrick, Los Angeles
Mathis Altmann, Histoire de la merde (History of shit), 2016, wood, miniatures, lightbulb, cloth, plastic, metal, and paper.
Tilton Gallery, New York
Derrick Adams, Young Man in Goldenrod, 2016, mixed media collage on paper.
Adams and Ollman, Portland + JTT, NY (joint booth)
Jonathan Berger, Untitled (detail), 2017, tin and chalk.
Galerie Meyer Kainer, Vienna
Lucie Stahl, Prejudices, 2009, UV-real ink-jet print, UV-real varnish, and polyurethane.
TINA HERZL
Delmes & Zander, Berlin and Cologne
Disko Girls (Anonymous), Untitled, 1970s–80s, crayon on paper.
Galerie Christophe Gaillard, Paris
Michel Journiac, Le Saint-Vierge, piège pour un travesti (The Holy Virgin, trap for a transvestite), 1972, mixed media.
Lehmann Maupin, New York and Hong Kong
Patrick Van Caeckenbergh, THE PICTURESQUE HISTORY OF EMPTINESS, Les Oubliettes — The Oblivions — De Vergeetputten, 2007–14, 289 glass bell jars on glass and mirrored metal shelves.
Anton Kern Gallery, New York
David Shrigley, Untitled, 2017, ink on paper.
Clearing, New York and Brussels
Zak Kitnick, Castle Gate, 2016, steel, brick, and resin.
Galerie Perrotin, Paris/New York/Hong Kong/Seoul/Tokyo
Tatiana Trouvé, Untitled, from the series "Intranquility," 2017, paper on canvas.
FLORIAN KLEINEFENN/©2017 TATIANA TROUVÉ, ADAGP, PARIS, AND ARTISTS RIGHTS SOCIETY (ARS), NEW YORK
Peres Projects, Berlin
Melike Kara, perfume, 2016, acrylic and oil sticks on canvas.