COURTESY THE ARTIST AND GAVIN BROWN’S ENTERPRISE, NEW YORK / ROME
The 29th edition of the Art Show, organized annually by the Art Dealers Association of America, opens to the public Wednesday, March 1, with previews on Tuesday, February 28, at the Park Avenue Armory in New York. The show will again present 72 exhibitors drawn from the association’s membership. Among the highlights are Arman at Sperone Westwater Gallery, Birgit Jürgenssen at Fergus McCaffrey, and works by Norman Lewis at Michael Rosenfeld.
Click the photos below to see works on offer at the fair.
ALL IMAGES: COURTESY THE ARTIST AND THEIR GALLERY; ADDITIONAL CREDITS WHERE NOTED
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Sperone Westwater Gallery, New York
Arman, Accumulation of Light Bulbs, 1962, light bulbs in resin, under Plexiglas.
Gavin Brown's Enterprise, New York and Rome
Rirkrit Tiravanija, untitled 2015 (don't shoot the messenger), 2015.
Fergus McCaffrey, New York
Birgit Jürgenssen, Untitled (Nun), 1990 ,color photographs, fabric
©THE ESTATE OF BIRGIT JÜRGENSSEN
Michael Rosenfeld, New York
Norman Lewis, Florence, 1947, oil and ink on gessoed panel.
©ESTATE OF NORMAN W. LEWIS
Alexander Gray Associates, New York
Luis Camnitzer, Topological Change Word Sequence, 1969.
Matthew Marks, New York and Los Angeles
Anne Truitt, 15 Oct ’65, 1965, acrylic on paper.
©ESTATE OF ANNE TRUITT, THE BRIDGEMAN ART LIBRARY
Marc Selwyn Fine Art, Beverly Hills, California
Jay DeFeo, Reflections of Africa, 1987, acrylic, graphite, and oil pastel on paper.
David Zwirner, New York and London
Chris Ofili, Triangle Couple in Bed, 2016, oil and charcoal on linen.
©CHRIS OFILI
Sean Kelly Gallery, New York
Ilse D'Hollander, Fraying, 1995, oil on canvas.
James Reinish & Associates, Inc., New York
Marsden Hartley, A Lady in Laughter, 1919, oil on board.
CRG Gallery, New York
Alexandre da Cunha, Kentucky (pink), 2016, mop heads, dye, metal fittings.
June Kelly Gallery, New York
Kay WalkingStick, The Canyon, 2016, oil on wood panel.
Petzel, New York
Joyce Pensato, drawing from Joyce, 1976, charcoal on paper.
Galerie Lelong, New York and Paris
Zilia Sánchez, Topología erótica (Erotic Topology), from the series "Las Amazonas" (The Amazons), 1968, acrylic on stretched canvas.
Brooke Alexander, New York
John Baldessari, The Fallen Easel, 1988, color lithograph and screen print on paper and aluminum.
Pavel Zoubok Gallery, New York
Stella Snead, Be Seated, 1970s, photocollage.
Paula Cooper Gallery, New York
Kelley Walker, Beat It, 2016, acrylic ink, MDF panel, two seven-inch vinyl records, blue tape, media collage, tar paper on silkscreen on aluminum frame.
EPW STUDIO/© KELLEY WALKER
Crown Point Press, San Francisco
Tomma Abts, Untitled (big circle), 2015, color aquatint.
Inman Gallery, Houston
Dorothy Antoinette (Toni) LaSelle, Composition 10, 1948, oil on canvas, vintage frame.
James Fuentes, New York
Noam Rappaport, Untitled, (Blue and Green Door Form), 2011, wood, canvas, oil, wax, and colored pencil.
Berggruen Gallery, San Francisco
William de Kooning, Untitled, 1967, oil on paper laid down on Masonite.
Alexander and Bonin, New York
Michael Buthe, Untitled (wall object), 1991, mixed media, wood, ceramic, and metal on wood.
JASON MANDELLA
Mary-Anne Martin/Fine Art, New York
Leonora Carrington, Temple of the Word, 1954, oil and gold leaf on canvas.
Jill Newhouse Gallery, New York
Edouard Vuillard, Groupe de personnages en conversation, n.d. ink and watercolor on paper.
Cheim & Read, New York
Bill Jensen, HUSHED MOUNTAINS III, 2015–16, oil on linen
Barbara Mathes, New York
Sigmar Polke, Untitled, 1992, acrylic and gouache on paper.
Fraenkel Gallery, San Francisco
Elisheva Biernoff, Vision, 2016, acrylic on 1/32-in plywood, painted on both sides.
Galerie St. Etienne, New York
Emil Nolde, Head of a Bearded Man (Prophet), 1912, watercolor and ink on cream laid Japan paper.