COURTESY THE ARTIST AND RHONA HOFFMAN GALLERY
The 23rd edition of the Armory Show opens to the public on Thursday, March 2, with a preview day on Wednesday, March 1. Part 1 of the preview looked at exhibitors participating in the main Galleries section of the fair. Part 2 looks at the exhibitors in the Insights, Presents, Focus, and Platform areas of the fair. The Insights section focuses on 20th century art, particularly modern and postwar work, while the Presents section offers booths by galleries less than 10 years old; both lean toward solo and two-person presentations. This year’s Focus section departs from the traditional scope of the section, now in its eight year—this presentation, organized by curator Jarrett Gregory, presents commissioned solo-artist projects. The Platform section, new this year and curated by Eric Shiner, presents large-scale installation and site-specific works. Among the highlights are Glenn Ligon at New York’s Vivian Horan Fine Art, Teresa Margolles at Zurich’s Galerie Peter Kilchmann, and Anya Titova at Moscow’s Artwin Gallery.
Click the photos below to see works on offer at the fair.
ALL IMAGES: COURTESY THE ARTIST AND THEIR GALLERY; ADDITIONAL CREDITS WHERE NOTED
01
Vivian Horan Fine Art, New York | Insights
Glenn Ligon, No Room (Gold) #16, 2007, oil and acrylic on canvas.
Harmony Murphy, Los Angeles | Focus
Amna Asghar, Just Do It to Believe It, 2017, acrylic and screen print on canvas.
Artwin Gallery, Moscow | Focus
Anya Titova, Ur, 2016, digital print.
Albertz Benda, New York | Platform
Fiete Stolte, Eye, 2017, mixed media.
Galerie Peter Kilchmann, Zurich | Focus
Teresa Margolles,Certificado de defunción de Karla (Karla's Death Certificate), 2016, photocopy.
Lorenzelli Arte, Milan | Insights
Ronnie Cutrone, Cell Girls, 2004, acrylic and flag on canvas.
Rhona Hoffman Gallery, Chicago | Focus
Deana Lawson, Mama Goma, 2015.
Jonathan Boos, New York | Insights
Jacob Lawrence, Naples - 1944, 1947, egg tempera on hardboard.
Michael Hoppen Gallery, London | Insights
Hermann Trinkaus , Die kunst dem volke? (The art of the people?), 1930.
©HERMANN TRINKAUS ESTATE
Michael Rosenfeld Gallery, New York | Insights
Joseph Cornell, Untitled (Soap Bubble Set), ca.1960, wood and glass box construction with wood, metal, glass, paint, and printed paper collage.
Galerie Alberta Pane, Paris | Presents
Romina de Novellis, FASE REM 2 (still), 2014, video.
Mayoral, Barcelona | Insights
René Magritte, La pensée visible, 1961, watercolor, pencil, and collage on paper.
Susan Sheehan Gallery, New York | Insights
Barnett Newman, Untitled, 1961, lithograph.
Repetto Gallery, London | Insights
Piero Manzoni, Linea di lunghezza infinita (Line of Infinite Length), 1960, ink, paper, and wooden cylinder.
10 Chancery Lane Gallery, Hong Kong | Focus
Tuan Andrew Nguyen, The Irony of Worship, 2017, wood, metal, neon, LED lights, and plastic.
Galerie Klaus Gerrit Friese, Berlin | Insights
Willi Baumeister, Darstellung des Apoll II (Depiction of Apollo II), 1921, oil and pencil on canvas.
Sabrina Amrani Art Gallery, Madrid | Presents
Manal AlDowayan, The Cheerleaders 2015, silkscreen ink on paper.
Barbara Mathes Gallery, New York | Insights
Neil Jenney, Daytime Diptych (Morning 2006, Evening 2011), 2001, oil on wood.
Patricia Cronin | Platform
Patricia Cronin, Tack Room, 1997–98, interior view, mixed media.
Green Art Gallery, Dubai | Presents
Kamrooz Aram, Untitled (Palimpsest 46), 2017, oil, wax, and oil crayon on canvas.
Blank, Cape Town | Presents
Turiya Magadlela, Umudiyadiya, 2015.
Cortesi Gallery, Lugano, Switzerland | Insights
Agostino Bonalumi, Grigio, 1969, shaped canvas and vinyl tempera.
Richard Saltoun Gallery, London | Insights
Francesca Woodman, Untitled (from Swan Song series) Providence, Rhode Island, 1978.
©ESTATE OF FRANCESCA WOODMAN
Arredondo Arozarena, Mexico City | Presents
Francisco Ugarte, Sin título (cristal y ventana), 2015.
Instituto de Visión, Bogotá | Presents
Ana Roldan, Displacements (9), 2011.
Laveronica arte contemporanea, Modica, Italy | Presents
Marinella Senatore, Variations Script #7, 2013, fine art print.
Mariane Ibrahim Gallery, Seattle | Presents
Zohra Opoku, Sassa, 2016, medium pigment print on Hahnemühle photo rag.
Nicodim Gallery, Los Angeles | Presents
Ecaterina Vrana, The Countess Making Pancakes With Black & Yellow Cherries, 2016.