‘Do You, Ms. Jones?’ at Rosenwald-Wolf Gallery, Philadelphia
Zoe Leonard, I Want a Dyke for President, 1992, photocopy on paper, installation view.
STUDIO LHOOQ/COURTESY THE ARTIST AND HAUSER & WIRTH, NEW YORK
Pictures at an Exhibition presents images of one notable show every weekday.
Today’s show: “Do You, Ms. Jones?” is on view at the Rosenwald-Wolf Gallery of the University of the Arts in Philadelphia through Friday, July 29. The group exhibition, which is timed to the Democratic National Convention, starting today, July 25, features the work of Sam Durant, Hans Haacke, Pope L., Zoe Leonard, and Hank Willis Thomas, among others.
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Hans Haacke, Mission Accomplished, 2011, embossed vegetable dye digital capture on Somerset textural paper, installation view.
HANS HAACKE/COURTESY THE ARTIST AND PAULA COOPER GALLERY, NEW YORK
Hank Willis Thomas, Angola Bound, 2014, quilt made out of decommissioned prison uniforms, installation view.
STUDIO LHOOQ/COURTESY THE ARTIST AND JACK SHAINMAN GALLERY, NEW YORK
Hank Willis Thomas, Ain’t I A Woman, 2013, Liquitex on canvas, installation view.
STUDIO LHOOQ/COURTESY THE ARTIST AND JACK SHAINMAN GALLERY, NEW YORK
Ken Lum, Birdie Africa, 2015–16, plaster bust, installation view.
STUDIO LHOOQ/COURTESY THE ARTIST
Ken Lum, Gia Carangi, 2015–16, plaster bust, installation view.
STUDIO LHOOQ/COURTESY THE ARTIST
Ken Lum, Joey Stefano, 2015–16, plaster bust, installation view.
STUDIO LHOOQ/COURTESY THE ARTIST
Installation view of "Do You, Ms. Jones?," 2016, at Rosenwald-Wolf Gallery, Philadelphia.
STUDIO LHOOQ/COURTESY ROSENWALD-WOLF GALLERY
Sam Durant, You Have The Power, 2015, electric sign with vinyl text.
STUDIO LHOOQ/COURTESY THE ARTIST AND PAULA COOPER GALLERY, NEW YORK
Hank Willis Thomas, Is, 2012, acrylic on canvas, installation view.
STUDIO LHOOQ/COURTESY THE ARTIST AND JACK SHAINMAN GALLERY, NEW YORK
Zoe Leonard, I Want a Dyke for President, 1992, photocopy on paper, installation view.
STUDIO LHOOQ/COURTESY THE ARTIST AND HAUSER & WIRTH, NEW YORK
Pepon Osorio, Donkey Party Game, 2001, offset lithograph, installation view.
STUDIO LHOOQ
Pope L., Black People Are Shit, 2012, acrylic, China marker, oil stick, pencil, and water-based oil paint on paper, installation view.
STUDIO LHOOQ/COURTESY THE ARTIST AND MITCHELL-INNES & NASH, NEW YORK