SIMON VOGEL, COLOGNE/COURTESY THE ARTIST/JULIA STOSCHEK COLLECTION, DÜSSELDORF
Pictures at an Exhibition presents images of one notable show every weekday.
Today’s show: “Generation Loss: 10 Years of the Julia Stoschek Collection” is on view at the Julia Stoschek Collection in Düsseldorf, Germany, through Sunday, June 10, 2018. The group exhibition, organized in collaboration with artist Ed Atkins, takes its name from a term that, according to an exhibition statement, “generally refers to the process of a qualitative loss in successively copied data. Everything that reduces the representative quality as copies of data are made, can be regarded as a form of ‘generation loss.’ However, this holds true not just for data formats or material media, but also manifests itself in an ideological sense in politics, culture, nature, from one generation to the next.”
01
Barbara Hammer, Sanctus, 1990, 16mm film, transferred to video, installation view.
SIMON VOGEL, COLOGNE/COURTESY THE ARTIST/JULIA STOSCHEK COLLECTION, DÜSSELDORF
Reynold Reynolds & Patrick Jolley, Burn, 2001, 16mm film, transferred to video, left; Paul McCarthy, Spitting on the Camera Lens, 1974, from the series "Black and White Tapes" (1970–75), video, right; installation view.
SIMON VOGEL, COLOGNE/COURTESY THE ARTISTS/JULIA STOSCHEK COLLECTION, DÜSSELDORF
Ian Cheng, Emissary in the Squat of Gods, 2015, live simulation and story, installation view.
SIMON VOGEL, COLOGNE/COURTESY THE ARTIST/JULIA STOSCHEK COLLECTION, DÜSSELDORF
Charles Atlas, Hail The New Puritan, 1985/86, 16mm film, transferred to video, left; Wolfgang Tillmans, Heartbeat / Armpit, 2003, video, right; installation view.
SIMON VOGEL, COLOGNE/COURTESY THE ARTISTS/JULIA STOSCHEK COLLECTION, DÜSSELDORF
Imi Knoebel, Projektion X, 1972, video, left; Klaus Vom Bruch, Das Alliiertenband (Allies Tape), 1982, video, right; installation view.
SIMON VOGEL, COLOGNE/COURTESY THE ARTIST/JULIA STOSCHEK COLLECTION, DÜSSELDORF
Rachel Rose, A Minute Ago, 2014, single-channel HD video, installation view.
SIMON VOGEL, COLOGNE/COURTESY THE ARTIST/JULIA STOSCHEK COLLECTION, DÜSSELDORF
Bruce Nauman, Walking in an Exaggerated Manner Around the Perimeter of a Square, 1967/68, 16mm film, transferred to video, left; Klara Lidén, Paralyzed, 2003, video, right; installation view.
SIMON VOGEL, COLOGNE/COURTESY THE ARTISTS/JULIA STOSCHEK COLLECTION, DÜSSELDORF
Ulay & Marina Abramović, Relation in Space, 1976, video, left; Joan Jonas, Vertical Roll, 1972, video, right; installation view.
SIMON VOGEL, COLOGNE/COURTESY THE ARTIST/JULIA STOSCHEK COLLECTION, DÜSSELDORF
James Richards, Radio at Night, 2015, HD video, installation view.
SIMON VOGEL, COLOGNE/COURTESY THE ARTIST/JULIA STOSCHEK COLLECTION, DÜSSELDORF
Nathalie Djurberg & Hans Berg, We Are Not Two, We Are One, 2008, video, left; Jen Denike, Dunking, 2004, video, right; installation view.
SIMON VOGEL, COLOGNE/COURTESY THE ARTIST/JULIA STOSCHEK COLLECTION, DÜSSELDORF
Dara Friedman, Revolution, 2003, 16mm film, transferred to video, left; Douglas Gordon, Over My Shoulder, 2003, video, right; installation view.
SIMON VOGEL, COLOGNE/COURTESY THE ARTIST/JULIA STOSCHEK COLLECTION, DÜSSELDORF; ART, RIGHT: ©2017 GORDON: STUDIO LOST BUT FOUND / VG BILDKUNST, BONN
Mark Leckey, Made In ‘Eaven, 2004, 16mm film, transferred to video, left; Christian Jankowski, What Remains, 2004, 16mm film, transferred to video, right; installation view.
SIMON VOGEL, COLOGNE/COURTESY THE ARTISTS/JULIA STOSCHEK COLLECTION, DÜSSELDORF