Art can’t stop the machine. Nothing can. Still, art can challenge the values that are favored by machines. The works in this exhibition test existing systems with inefficient mechanisms, impossible tools, and elaborate protocols that misalign outputs from their inputs.
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Installation view of "Mechanisms," 2017, at CCA Wattis Institute for Contemporary Arts.
JOHNNA ARNOLD
Installation view of "Mechanisms," 2017, at CCA Wattis Institute for Contemporary Arts.
JOHNNA ARNOLD
Installation view of "Mechanisms," 2017, at CCA Wattis Institute for Contemporary Arts.
JOHNNA ARNOLD
Installation view of "Mechanisms," 2017, at CCA Wattis Institute for Contemporary Arts.
JOHNNA ARNOLD
Installation view of "Mechanisms," 2017, at CCA Wattis Institute for Contemporary Arts.
JOHNNA ARNOLD
Installation view of "Mechanisms," 2017, at CCA Wattis Institute for Contemporary Arts.
JOHNNA ARNOLD
Installation view of "Mechanisms," 2017, at CCA Wattis Institute for Contemporary Arts.
JOHNNA ARNOLD
Installation view of "Mechanisms," 2017, at CCA Wattis Institute for Contemporary Arts.
JOHNNA ARNOLD
Garry Neill Kennedy, The Letter E, 1980–2017, installation view.
JOHNNA ARNOLD/COURTESY THE ARTIST
Jacob Kassay, II, 2017, installation view.
JOHNNA ARNOLD/COURTESY THE ARTIST AND 303 GALLERY, NEW YORK
Harun Farocki, "Deep Play," 2007. Mechanisms, 2017; installation view, Wattis Institute. Courtesy of Harun Farocki GbR and Greene Naftali Gallery, New York. Photo: Johnna Arnold.
Neil Beloufa, Desire for Data, 2015, installation view.
JOHNNA ARNOLD/COURTESY THE ARTIST AND GHEBALY GALLERY, LOS ANGELES