MICHAEL UNDERWOOD/COURTESY THE ARTIST AND REAL FINE ARTS, NEW YORK
Today’s show: “No. 6” is on view at Freedman Fitzpatrick in Los Angeles through Saturday, May 14. The group show features the work of Yuji Agematsu, Kerstin Brätsch, Margaret Honda, Cooper Jacoby, K.r.m. Mooney, Jill Mulleady, Bea Schlingelhoff, Amelie von Wulffen, and Phillip Zach.
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Installation View of "No. 6," 2016, at Freedman Fitzpatrick, Los Angeles.
MICHAEL UNDERWOOD
Installation View of "No. 6," 2016, at Freedman Fitzpatrick, Los Angeles.
MICHAEL UNDERWOOD
Installation View of "No. 6," 2016, at Freedman Fitzpatrick, Los Angeles.
MICHAEL UNDERWOOD
Phillip Zach, Untitled, 2016, powder-coated steel, polyethylene, sand, and soil (both).
MICHAEL UNDERWOOD/COURTESY THE ARTIST AND FREEDMAN FITZPATRICK, LOS ANGELES
Amelie von Wulffen, Untitled, 2011, oil on canvas (both).
MICHAEL UNDERWOOD/COURTESY THE ARTIST AND FREEDMAN FITZPATRICK, LOS ANGELES
Jill Mulleady, Origines cultuelles et mythiques d’un certain comportement des dames romaines, 2015, oil on canvas.
MICHAEL UNDERWOOD/COURTESY THE ARTIST AND FREEDMAN FITZPATRICK, LOS ANGELES
Yuji Agematsu, Table Work, 2011–14, mixed media, douglas fir, cork, and acrylic paint.
MICHAEL UNDERWOOD/COURTESY THE ARTIST AND REAL FINE ARTS, NEW YORK
Yuji Agematsu, Table Work, 2011–14, mixed media, douglas fir, cork, and acrylic paint.
MICHAEL UNDERWOOD/COURTESY THE ARTIST AND REAL FINE ARTS, NEW YORK
Margaret Honda, Fish Trap, 1989/2010/2016, melted-and-reconfigured bronze sculpture, Diazo prints, Xerox on paper, collage on paper, ink on paper, and acrylic paint.
MICHAEL UNDERWOOD/COURTESY THE ARTIST AND FREEDMAN FITZPATRICK, LOS ANGELES
Cooper Jacoby, Stagnants (Arm Five Miles), 2016, epoxy resin, fiberglass, graphite, vinyl, and steel stands.
MICHAEL UNDERWOOD/COURTESY THE ARTIST AND MATHEW, BERLIN
K.r.m. Mooney, Circadian Interface II, 2015, mixed media.
MICHAEL UNDERWOOD/COURTESY THE ARTIST AND ALTMAN SEIGEL, SAN FRANCISCO
Kerstin Brätsch, Boneman, from "All Ready Maid Betwixt and Between," 2013, luster and enamel on baked antique glass.
MICHAEL UNDERWOOD/COURTESY THE ARTIST AND GAVIN BROWN’S ENTERPRISE, NEW YORK