Queen of Stags, from The Stuttgart Playing Cards, German, Upper Rhineland, ca. 1430, paper (six layers in pasteboard) with gold ground and opaque paint over pen and ink.
Pictures at an Exhibition presents images of one notable show every weekday.
Today’s show:“The World in Play: Luxury Cards, 1430–1540” is on view at the Met Cloisters in New York through Sunday, April 17. The exhibition features examples from the three decks of hand-painted playing cards that have survived from the late Middle Ages.
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Queen of Stags, from The Stuttgart Playing Cards, German, Upper Rhineland, ca. 1430, paper (six layers in pasteboard) with gold ground and opaque paint over pen and ink.
Under Knave of Ducks, from The Stuttgart Playing Cards, German, Upper Rhineland, ca. 1430, paper (six layers in pasteboard) with gold ground and opaque paint over pen and ink.
9 of Hounds, from The Courtly Hunt Cards, workshop of Konrad Witz, German, Upper Rhineland, ca. 1440–45, paper (pasteboard) with watercolor, opaque paint, and gold over pen and ink.
5 of Herons, from The Courtly Hunt Cards, workshop of Konrad Witz, German, Upper Rhineland, ca. 1440–45, paper (pasteboard) with watercolor, opaque paint, and gold over pen and ink.
4 (Trumpeter) of Hungary, from The Courtly Household Cards, German, Upper Rhineland, ca. 1450, woodcut on paper (pasteboard) with watercolor, opaque paint, pen and ink, and tooled gold and silver.
6 (Lady-in-Waiting) of France, from The Courtly Household Cards, German, Upper Rhineland, ca. 1450, woodcut on paper (pasteboard) with watercolor, opaque paint, pen and ink, and tooled gold and silver.
Knave of Cups, from The Visconti Tarot, workshop of Bonifacio Bembo, Italian, Milan, ca. 1450, paper (pasteboard) with opaque paint on tooled gold ground.
Knave of Horns, from The Cloisters Playing Cards, South Netherlandish, Burgundian territories, ca. 1475–80, paper (four layers in pasteboard) with pen and ink, opaque paint, glazes, and applied silver and gold.
Queen of Nooses, from The Cloisters Playing Cards, South Netherlandish, Burgundian territories, ca. 1475–80, paper (four layers in pasteboard) with pen and ink, opaque paint, glazes, and applied silver and gold.
4 of Leafs, from The Playing Cards of Peter Flötner, Peter Flötner, published by Hans Christoph Zell, German, Nuremberg, ca. 1540, woodcut on paper with watercolor, opaque paint, and gold.
King of Bells, from The Playing Cards of Peter Flötner, Peter Flötner, published by Hans Christoph Zell, German, Nuremberg, ca. 1540, woodcut on paper with watercolor, opaque paint, and gold.