Young Joon Kwak, Marvin Astorga (Xina Xurner) and Drew Arriola-Sands (Trap Girl) in the stairwell of the former site of Los Angeles’ first punk club, The Masque (now World of Wonder Productions, 6650 Hollywood Boulevard).
BRADFORD NORDEEN/COURTESY DIRTY LOOKS
The Andy Warhol Foundation for the Visual Arts has named the recipients of its Fall 2018 grants. In this round of awards, $3.65 million was given to 42 nonprofit arts organizations for exhibitions, publications, and visual arts programming.The recipients were chosen from a an open submission group of 273 organizations, with grants ranging from $44,000 to $120,000.
The awardees span 16 U.S. states, as well as the District of Columbia and Puerto Rico. There is one international recipient: Ashkal Alwan, whose Home Works Forum project assembles a global pool of artists, curators, and scholars at its headquarters in Beirut, Lebanon.
Among the grantees in this round are Dirty Looks, the Los Angeles–based platform for queer film, video, and performance, and Arts Nova Workshop in Philadelphia, who will stage a show focused on the legendary free jazz drummer Milford Graves. View the list in full below.
Fall 2018 Grant Recipients | Support for Single Exhibitions
Ars Nova Workshop, Philadelphia, for a Milford Graves show, $44,000
UC Berkeley Art Museum and Pacific Film Archive, Berkeley, California, for “Ron Nagle: Handsome Drifter,” $75,000
Contemporary Arts Center, Cincinnati, Ohio, for “Art and Race Matters: The Career of Robert Colescott,” $100,000
Davis Museum at Wellesley College, Wellesley, Massachusetts, for “Fatimah Tuggar: Home’s Horizons,” $75,000
The Fine Arts Museums of San Francisco, for “From the Uncanny Valley to the Crypto Sublime,” $100,000
Institute of Contemporary Art / University of Pennsylvania, Philadelphia, for a Karyn Olivier show, $50,000
John Michael Kohler Arts Center, Sheboygan, Wisconsin, for “Lenore Tawney: Mirror of the Universe,” $75,000
Leslie-Lohman Museum of Gay and Lesbian Art, New York, for “ON OUR BACKS: The Revolutionary Art of Queer Sex Work,” $50,000
Metropolitan Museum of Art, New York, for a Mrinalini Mukherjee show, $100,000
Mizna, St. Paul, Minnesota, for “History is Not Here: Art and Arab America,” $50,000
MoMA PS1, Long Island City, New York, for a group exhibition that grapples with the legacies of the Gulf War in 1991 and the invasion of Iraq in 2003, $100,000
Museum of Chinese in America, New York, for “Godzilla vs. the Art World: Asian American Collectives,” $50,000
Nasher Sculpture Center, Dallas, Texas, for “No Man’s Land: Women of Land Art,” $100,000
National Museum of the American Indian, New York, NY, “The Oscar Howe Project,” $100,000
Pérez Art Museum Miami, Miami, for “Teresita Fernández: Elemental,” $100,000
Pomona College Museum of Art / Montgomery Art Center, Claremont, California, for a Todd Gray show, $50,000
Seattle Art Museum, Seattle, for “The Allure of Matter: Contemporary Art from China,” $100,000
Tufts University Art Galleries, Medford, Massachusetts, for “Art for the Future: Artists Call and Transnational Solidarity in the 1980s,” $75,000
Walker Art Center, Minneapolis, for “Still (A)live,” $100,000
Fall 2018 Grant Recipients | Program Support
African Film Festival, New York, $100,000 (over 2 years)