Executed primarily in black and white, the works in this exhibition were divided into two parts—images of women in compromising positions with male figures, and those of women wrapped up in fashion and consumed with their own appearance. In She Was in No Hurry to Be Married Again (2013), a woman in some version of reverse cowgirl sticks her tongue into the mouth of a demonic gray creature. The title of the work adds to the deadpan ribaldry of the scene.
An equally witty painting, It Was about the Pursuit of Excellence (2013), presents a fashionable woman with a large safety pin piercing her forehead. Using her “Chanel” compact mirror as a guide, she takes a razor blade to her cheek.
While it’s tempting to try to associate Gianakos’s work with some form of social commentary—whether feminist or misogynist is up for debate—the works here seemed to simply portray action and personality without judgment. Gianakos intends to shock—and clearly loves doing so—more than anything else.
A version of this story originally appeared in the May 2015 issue of ARTnews on page 106.