The thirteen new paintings in Matt Bollinger's recent exhibition, "Between the Days," play multiple roles. First, they serve as static vignettes portraying the lives and personal belongings of a…
The nine gridded faces in Karl Wirsum’s human-scale, black-and-red acrylic drawing Marcel Dude Champ(ca. 1979) bear a strong resemblance to one another, but close inspection reveals nine unique pairs…
Faces break into smiles encountering the far-out furniture of the Memphis Group, the Italian design collective officially active between 1981 and 1986.
All the paintings in Michael Bauer's second solo exhibition at Lisa Cooley have a similar composition: a central mass of miscellaneous marks and symbols that scatters like shrapnel toward the edges…