“Rituals of Rented Island”
The 1970s was a notoriously unruly decade for art in New York. As the city fell into economic decline, derelict SoHo lofts came alive with diffuse artistic practices that defied categorization, meld…
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Anti-Oedipus: Pope.L’s “Cage Unrequited”
Patriarchy and fathers are neither synonymous nor mutually exclusive; confronting either is difficult. Pope.L (who has recently dropped "William" from his moniker) addressed both in Cage…
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Going Viral: Ryan McNamara’s MEƎM
Ryan McNamara's Performa 13 commission, MEÆ?M: A Story Ballet About the Internet (Nov. 8-12 at New York's Connelly Theater), delivered a fantastical array of choreography culled from YouTube videos…
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Samantha Thomas
Abstract painting's meteoric rise to the sine qua non of modern art history was less linear than erratic, a trajectory aptly charted earlier this year in MoMA's "Inventing Abstraction."…
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Kōji Enokura
The work of Japanese artist KÅji Enokura comprises a veritable taxonomy of stains. Enokura's first solo exhibition in North America featured two bodies of work: documentation of ephemeral…
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My Barbarian
In My Barbarian's recent exhibition, as on the analyst's couch, all roads pointed to one source: the mother. For "Universal Declaration of Infantile Anxiety Situations Reflected in the Creative Impuls…
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Work It, Working Mother: L.A. Summer Performances
A.i.A. attended two recent L.A. performances that mobilize thegenre's own productive frictions as fodder for satisfyingly complexwork.
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Contingent Views: Dance at the Kitchen
Dance and Process is one of the Kitchen's longest-running programs. Inaugurated in 1995, the series alloys the familiar artist's residency with the promise of structured feedback, pairing a group of e…
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