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Dennis Kardon

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Mary Reid Kelley

Consider black-and-white so complexly rich it seems like color. Add handmade costumes and sets that suggest Picasso channeling "Pee-wee's Playhouse." Then imagine fractured Greek mythology recited in

David Salle

When David Salle indulges his refined taste in the “Silver Paintings” (2014-15), the results are hauntingly gorgeous. But in the concurrent “Late Product Paintings, he rolls up his sleeves and…

Sean Landers

A compelling struggle between uncomfortably revealing candor and bombastic narcissism once drove Sean Landers’s work. Although these qualities still resonate, the force behind the 23 recent paintings…

Judy Pfaff

Navigating Judy Pfaff’s exhibitions is like moving through jungle chaos. Multisized assemblages converge into installations that sometimes consume entire rooms.

Johannes VanDerBeek

The imposing steel screens greeting visitors to Johannes VanDerBeek's exhibition initiated impressions of a dystopic playground or institutional holding pen.

Gary Stephan

Like members of the aristocracy, Gary Stephan's 11 recent abstract acrylic paintings at Susan Inglett presented an intimidating formal starchiness, with their high contrast, muted palette and precis…

Charline Von Heyl

"Schadenfreude," the German word meaning "pleasure taken from another's misfortune," came inescapably to mind upon encountering Blacksmile (2013), the first of 14 paintings in Charline von Heyl's…

Walt Kuhn

Sexual humiliation, anger and homoeroticism are unexpected themes in shows of early American modernists. But Walt Kuhn (1877-1949) was an artist who subverted expectations.

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