Mary Reid Kelley
Consider black-and-white so complexly rich it seems like color. Add handmade costumes and sets that suggest Picasso channeling "Pee-wee's Playhouse." Then imagine fractured Greek mythology recited in …
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David Salle
When David Salle indulges his refined taste in the “Silver Paintings” (2014-15), the results are hauntingly gorgeous. But in the concurrent “Late Product Paintings,” he rolls up his sleeves and…
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Sarah Peters
The bronze heads that Sarah Peters recently showed at Eleven Rivington pulled passing viewers inexorably into their orbit.
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Sean Landers
A compelling struggle between uncomfortably revealing candor and bombastic narcissism once drove Sean Landers’s work. Although these qualities still resonate, the force behind the 23 recent paintings…
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Judy Pfaff
Navigating Judy Pfaff’s exhibitions is like moving through jungle chaos. Multisized assemblages converge into installations that sometimes consume entire rooms.
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Johannes VanDerBeek
The imposing steel screens greeting visitors to Johannes VanDerBeek's exhibition initiated impressions of a dystopic playground or institutional holding pen.
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Gary Stephan
Like members of the aristocracy, Gary Stephan's 11 recent abstract acrylic paintings at Susan Inglett presented an intimidating formal starchiness, with their high contrast, muted palette and precis…
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Charline Von Heyl
"Schadenfreude," the German word meaning "pleasure taken from another's misfortune," came inescapably to mind upon encountering Blacksmile (2013), the first of 14 paintings in Charline von Heyl's…
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Alexi Worth
Alexi Worth constructs paintings that insinuate themselves into the mind's lonely places.
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Walt Kuhn
Sexual humiliation, anger and homoeroticism are unexpected themes in shows of early American modernists. But Walt Kuhn (1877-1949) was an artist who subverted expectations.
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