Suzanne Jackson’s Ethereal Acrylic Hangings Connect Autobiography and Abstraction
Suzanne Jackson's exhibition at Ortuzar Projects was an autobiography in visual form.
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Brent Wadden’s Abstract Weavings Are Equal Parts Anni and Josef Albers
Anni and Josef Albers did not have children. If they had, the kids might have grown up to make work like Brent Wadden's. The Canadian artist uses Anni's medium, weaving, to create abstract…
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Reassessing Pattern & Decoration, the Last Art Movement of the Twentieth Century
In the 1970s and '80s, a bold group of American artists embraced vibrant color, ornament, and craft. Their promiscuity looks prescient today.
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Isaac Julien
If there were justice in the United States, Frederick Douglass's face would be on the twenty-dollar bill, not Andrew Jackson's. Douglass's speeches would be as well known as the Gettysburg Address…
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Free Form
The retrospective exhibition of the weaver Anni Albers that began at the Kunstsammlung Nordrhein-Westfalen in Düsseldorf, and then traveled to Tate Modern in London, has been greeted from all sides…
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Analia Saban
"Punched Card," Analia Saban's exhibition of new work at Tanya Bonakdar Gallery, offered the material ingenuity we've come to associate with the artist.
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Stephanie Syjuco
Since the election, Syjuco has been going to a lot of protests, and making a lot of banners. This activity furnished the raw materials for her exhibition. A red cloth emblazoned with resist hung in…
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Normal Design
"Items: Is Fashion Modern?," now at MoMA, offers a new, broader sense of good design, from couture to the discount rack.
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Annabeth Rosen
In the last room of Annabeth Rosen's exhibition at PPOW were two astounding ceramic objects, bearing the deadpan titles Bank and Parcel.
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Michelle Grabner
The last time Michelle Grabner had an exhibition at James Cohan Gallery, shortly after she co-curated the 2014 Whitney Biennial, Ken Johnson panned it in the New York Times.
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