Anni and Josef Albers did not have children. If they had, the kids might have grown up to make work like Brent Wadden's. The Canadian artist uses Anni's medium, weaving, to create abstract…
In the 1970s and '80s, a bold group of American artists embraced vibrant color, ornament, and craft. Their promiscuity looks prescient today.
If there were justice in the United States, Frederick Douglass's face would be on the twenty-dollar bill, not Andrew Jackson's. Douglass's speeches would be as well known as the Gettysburg Address…
The retrospective exhibition of the weaver Anni Albers that began at the Kunstsammlung Nordrhein-Westfalen in Düsseldorf, and then traveled to Tate Modern in London, has been greeted from all sides…
"Punched Card," Analia Saban's exhibition of new work at Tanya Bonakdar Gallery, offered the material ingenuity we've come to associate with the artist.
Since the election, Syjuco has been going to a lot of protests, and making a lot of banners. This activity furnished the raw materials for her exhibition. A red cloth emblazoned with resist hung in…
"Items: Is Fashion Modern?," now at MoMA, offers a new, broader sense of good design, from couture to the discount rack.
In the last room of Annabeth Rosen's exhibition at PPOW were two astounding ceramic objects, bearing the deadpan titles Bank and Parcel.
The last time Michelle Grabner had an exhibition at James Cohan Gallery, shortly after she co-curated the 2014 Whitney Biennial, Ken Johnson panned it in the New York Times.
To present a cohesive overview of the art of the African diaspora is a staggering challenge. Has the Museum of Arts and Design in New York succeeded in its bold attempt?
