The Kusama Industrial Complex: How Yayoi Kusama Came to Captivate the World, Fueling Museums and the Market
The artist delivers everything a 21st-century museum could ask for—in one sleek mirrored box.
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How a Small Poet-Run Gallery in Harlem Set the Stage for Today’s Art World
We may be witnessing the glitziest wave of art world diversification. But it is not the first.
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How Leo Castelli, MoMA, and Two Wealthy Collectors Charted Today’s Rocket-Fueled Art Market
A new legal paper and a close look at the Castelli archives has much to teach us about the soaring prices for contemporary art.
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Outside the White House, rafa esparza Works Through Physical and Bureaucratic Constraints
By literally facing down the white supremacist regime wielding the power of the state against so many people like himself, esparza demonstrates the power of an individual: to make common cause with…
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Color in Landscape
As Sam Gilliam's work has gained ever greater recognition, his story has often been characterized as a comeback (though he never left) or a rediscovery (though he wasn't lost).
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‘A Beautiful Vision’: Artist Susan Weil on the Work of—and Her Life with—Bernard Kirschenbaum, Her Poetry, and More
Early pieces by Kirschenbaum are currently the subject of an extraordinary exhibition at Postmasters Gallery in New York.
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Bodies of Work: In Washington, Big-Ticket Blockbusters, a Bracing Permanent Collection Hang, Anne Truitt, and the Museum of the Bible
Plus, "Vermeer and the Masters of Genre Painting" at the National Gallery, Mark Bradford at the Hirshhorn, and more
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Crossing Over: Alejandro G. Iñárritu’s VR Piece About Traversing the U.S.-Mexico Border Comes to Washington, D.C.
The work, Carne y Arena, runs at the former Trinidad Baptist Church until August.
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Two Curtains, Countless Cameras, and Many Friends: At the Unveiling of the Portraits of Barack and Michelle Obama in Washington
Music selected by the the former president and former first lady presented included songs by Miley Cyrus and U2.
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How to Get Forgotten: What Ever Happened to Aaron Kuriloff?
On December 14, 1963, the New York Times ran a glowing review of a group show at the Thibaut Gallery. Critic Brian O’Doherty wrote that “Hard Center” was “fascinating” and “not to be missed.”…
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RobbReport
Ares Design’s First Electric Road Bike Is Also the World’s Lightest
WWD
New York City Ballet Makes Historic Return to the Stage After Pandemic
Rolling Stone
‘Controlling Britney Spears’: 10 Things We Learned From New Doc
Sportico
Federer-Backed Laver Cup Brings in Sponsors Despite Missing Stars on Court
SPY