Ericka Beckman’s 1983 film You the Better, the central work in her solo show at Mary Boone, is in part a playfully literal take on the modernist trope of the game of chance, using the structure of…
Earlier in the development of online community, it was easier to imagine the Internet as a space where we’re sprung from our bodies, able to dissimulate our identities or unlink them from attributes l…
From the beginning of Hershman Leeson’s career—as this dazzling retrospective at the Zentrum für Kunst und Medientechnologie (ZKM) makes clear—the body appears as radically open to modifications by se…