The paintings in Jutta Koether's recent exhibition at Lévy Gorvy were cooler than you, quicker than you, smarter than you, better read than you, and not afraid to let you know.
The recent showing of Kevin Jerome Everson's work at Andrew Kreps coincided perfectly with the revival of a national conversation involving the clumsy euphemisms of labor—"essential" versus…
Some are works of fiction, some are ostensibly nonfiction, but all ten, without preciousness or corniness, present artistry as a kind of unsolvable riddle.
Peter Saul is an utterly feverish colorist, heir to Bacon and Delacroix, and you can't help but admire his tense, syncopated compositions. But his style is so given to extremes that, almost by…