Richard Tuttle's work is grounded not in a single aesthetic, but in a straightforward attitude concerning materiality. He allows metal wire, rope, corrugated cardboard, and unstretched canvas to do…
There's something radically unassuming about N. Dash's work. In the fourteen spare, often multipartite paintings in her show at Casey Kaplan, she applied subtle formal techniques to panels composed…
I love the elasticity of a summer group exhibition; it's a low-stakes, high-reward format that, when done well, can produce the most exciting viewing experiences at New York galleries.