Juanita McNeely's exhibition comprised two large multi-panel paintings that transmit the pain of their female subjects with an intensity that is almost too much to bear and a painterly confidence…
This exhibition surveyed two decades of Raul Guerrero's practice, spanning from the work he made as part of the conceptual scene in Los Angeles after graduating from the Chouinard Art Institute in…
Jemison's works are often fragments that point to a larger body of research, much of it focused on the epistemological implications of such encounters.
The Spanglish title "How to Read El Pato Pascual" encapsulates the dynamic cross-border cultural exchanges highlighted in this two-venue exhibition.
The fundamental tension between movement and stasis gives each piece an unsettled quality, as in a frieze immortalizing a transient moment.
Based on seven years of research, the Pacific Standard Time exhibition "Radical Women: Latin American Art, 1960-1985" forges a new significance for previously excluded artists.
Figures big and small inhabit the stunning watercolors Gladys Nilsson made in the late 1980s. It’s unusual to see the medium deployed with the forceful colors and monumental scale of these works, ten…
A man stands with his legs spread wide. We see him from above so that one of his legs, foreshortened and appearing to jut out from his crotch, looks as phallic as can be.
Emily Mullin’s wall-mounted reliefs feature between one and five handmade clay vessels displayed on painted metal shelves. Like a photographer’s cyclorama, each shelf curves where it meets the wall, e…
The eleven works on paper in Mónica Palma’s first solo show are pared-down abstractions that reflect, almost paradoxically, the dizzying entanglements of contemporary life. Palma’s slow, repetitive pr…