Lorraine O’Grady
At the time, it seemed unremarkable to walk onto the Harvard campus to view "Lorraine O'Grady: Where Margins Become Centers," tucked inside the Carpenter Center, America's sole Le Corbusier-designed b…
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Leap Before You Look: Black Mountain College 1933-1957
The deeply researched exhibition “Leap Before You Look: Black Mountain College 1933-1957” at the Institute of Contemporary Art, co-organized by Helen Molesworth and Ruth Erickson, gives a measure…
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“Fiber: Sculpture 1960-Present”
Diller Scofidio + Renfro's glass-and-steel museum seems an improbable site for an exhibition of fiber art, a genre that intimates preindustrial weaving and crocheting.
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Agnes Denes
Smashing an animal skull with a femur bone, an ape in Stanley Kubrick’s 2001: A Space Odyssey enacts a critical moment in human evolution: the discovery of a tool instantly giving way to a deadly wi…
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Will Fowler
It is often noted that painting doesn't reproduce well-that, in this age of virtual viewing, painting, more than other mediums, insists on being seen in the flesh. Indeed, some of today's strongest…
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Land Art for the Media Age
A current museum survey of Land art challenges the established definition of the 1960s and '70s movement. In March of 1962, Jean Tinguely arrived in Las Vegas to construct a massive auto-destructive…
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M.K. Guth
Among the megaresorts that line the Las Vegas strip, gambling is increasingly being recast as just one of a dozen forms of entertainment and culture. Now, slot machines and blackjack tables are some…
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Geoffrey Farmer
Geoffrey Farmer's recent exhibition at REDCAT evoked some of the messier, more perverse doings of the 1960s and '70s. The title, "Let's Make the Water Turn Black" (perhaps a reference to excretion o…
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David Hammons
David Hammons finds art where it lives and inserts himself as participant and provocateur. In 2007, that happened to be at L&M Arts, a gallery specializing in secondary market sales of 20th-century…
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John Andolsek
Painting rarely gets more darkly political—or more fun and devastating at once—than in John Andolsek’s recent exhibition “Black Tie, White Noise.” Comprising works from the last eight years, the sho…
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