Roxana Pérez-Méndez’s installation at the Pennsylvania Academy of the Fine Arts began with sly theatricality: the gallery entrance was half-covered by a thick red drape swagged open to one side, ver…
Philadelphia's Metropolitan Opera House theater had sat silent for decades-until two nights in June, when an audience sat in the balcony of the cavernous, tarp-draped space, watching dancers in street…
New Yorkers know Jun Kaneko’s work from the procession of three serenely monumental ceramic heads arrayed along Park Avenue last summer and fall. In Philadelphia, related aspects of Kaneko’s work coul…