In her new book Unspeakable Acts: Women, Art, and Sexual Violence in the 1970s, out this week from Thames & Hudson, A.i.A.contributing editor Nancy Princenthal explores the ways in which formal experi…
At the very end of the Guggenheim Museum's revelatory exhibition of work by Hilma af Klint is a single stretch of the museum's spiraling ramp devoted to luminous and perplexing new paintings by R.H…
Collaboration and community have been central to L.A. painter Laura Owens's practice since the 1990s, though she now stands in the center of debates about the role of artists in gentrifying cities.
"Wojnarowicz was so savagely honest about where he came from and making it part of his work, which is full of passion and rage but still has this amazingly lyrical touch."
“How to Work Better” at the Guggenheim Museum, New York, surveys three decades of collaboration by Swiss artists Peter Fischli and David Weiss, whose sculptures, photos and videos deftly combine absur…
Examining Agnes Martin's traveling retrospective, her recent biographer considers how the formal and spiritual universals the painter sought arose out of the personal conditions she suppressed.
Paint gets physical in the late Jennifer Wynne Reeves's work: bulked up into dented little bricks, squeezed into coils and cones, and knifed, fingered and smeared onto a variety of surfaces that inclu…