Totally Plugged in
In the "everyday art world," artists are always on the move, disdaining not only art objects but any kind of artistic finality whatsoever, making putative works out of mere schmoozing, and turning t…
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John Storrs
From the fickering snippet of old black-and-white film on the wall-mounted video monitor at New York University’s Grey Art Gallery, you can tell that John Storrs lived pretty well. The pioneer Ameri…
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Eye Level: The 2010 Whitney Vanillenial
As we’ve all known for ages, the Biennial is a one-stop tour of “What’s Happening Now,” determined by a completely untransparent selection process that’s a combination of Rolodex, word of mouth, perso…
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Eye Level: Cut Me Up, Paste Me Down
My negative attitude and I were brought up profoundly and cheerfully short by an exhibition titled “Playing with Pictures: The Art of Victorian Photocollage,” which is on view at the Metropolitan Muse…
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Eye Level: Overwhelmed
It’s quixotic, not to say risky, to try to derive broad cultural conclusions from a day’s sweep of the galleries in Chelsea—or anyplace where there are more than a half-dozen of them within walking di…
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Eye Level: Production Values
Cinephiles who also frequent art galleries might call it the “Michael Cimino Effect,” except that in the art world it proceeds more slowly, and the bottom line isn’t quite so, well, bottom line…
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Venice Preview: Bruce Nauman
Bruce Nauman, the 67-year-old American artist who was selected early last year to be the U.S. artist-representative at the Biennale, has spent his entire career trying to bridge the gap between the re…
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