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Rachel Wetzler

Senior Editor, Art in America

Rachel Wetzler joined Art in America in 2019. A regular contributor to A.i.A. since 2016, she has also written for publications including Artforum, Frieze, Art Review, Apollo, ARTnews, the New Republic, the Baffler, Rhizome, art-agenda, and the Los Angeles Review of Books. She has contributed to books and catalogues accompanying the exhibitions “Postwar: Art Between the Pacific and the Atlantic 1945­–1965” (Haus der Kunst, Munich, 2016), “Trigger: Gender as a Tool and a Weapon” (New Museum, 2017), the 2017 Whitney Biennial, “Surround Audience” (New Museum, 2015), “Art Post Internet” (Ullens Center for Contemporary Art, Beijing, 2014), “The Encyclopedic Palace” (Venice Biennale, 2013), “Fore” (Studio Museum in Harlem, 2013), and “Greater New York” (MoMA PS1, 2010). As a freelance editor, Rachel has worked on projects for MoMA PS1, MOCA Los Angeles, the Sharjah Biennial, Independent art fair, the MIT Press, MOCA Cleveland, and Damiani. From 2015 to 2018, she taught art history at Baruch College, CUNY. She received an MA (Hons.) in art history and English literature from the University of Edinburgh and an MPhil in art history from CUNY Graduate Center, where her academic research focused primarily on twentieth-century art in East-Central Europe. Follow her on Twitter at @rwetzler.

Dash Snow

Even before Dash Snow's death from a heroin overdose in 2009, at the age of twenty-seven, it was difficult to disentangle his work from the myth of his life.

Derrick Adams

Derrick Adams's exhibition "Interior Life" turned the Upper East Side town house now occupied by Luxembourg & Dayan into a simulacrum of its previous role as a domestic space.

Communal Luxury

The artist Paulina Ołowska's work of the past two decades has often taken up the abandoned relics of socialist modernism, swiftly condemned to the dustbin of history by the architects of the nation's…

Cynthia Talmadge

Dangling on the walls from matching silk cords were eight new paintings by Cynthia Talmadge, each rendering a different view of the Frank E. Campbell Funeral Chapel's facade in an exacting…

Lisa Yuskavage

Is Lisa Yuskavage a feminist? When she began exhibiting her candy-colored paintings of barely legal pinups in the early 1990s, it was a question that endlessly preoccupied critics.

Charline von Heyl

Charline von Heyl's oeuvre is characterized by its elusiveness: over the past three decades, she has persistently refused to develop a cohesive style, instead moving freely between disparate…