In the Studio: Yto Barrada
Barrada speaks in a rapid series of digressions, dropping anecdotes and quotations, many of them from semi-obscure artists from the twentieth century.
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In the Studio: Anicka Yi
The Korean-born, New York–based artist recounts how her penchant for the immersive experiences of film, cuisine, and fiction led her to experiment with outré scents and odd installation materials such…
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Investigative Activity: An Interview with Joshua Abelow
Before we met in person, I met Joshua Abelow by reading his online diary, Art Blog Art Blog. I learned about his art viewing habits through the daily, sometimes hourly posts, featuring canonical, obsc…
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To Have and to Know: Camille Henrot’s Elephant Child
Camille Henrot wants to look at everything. Then she wants to catalogue, systematize, and place it all into a context of her own labyrinthine design. She knows it’s an unhealthy compulsion, but she do…
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Less Like Art: Seth Price as Author
For a moment, Seth Price dropped out of the art world. In the summer of 2013, he stopped producing new work, laid off his assistants, canceled his upcoming exhibitions, and requested that online magaz…
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Burn Book: On Fire by Jonathan Griffin
Ross Simonini reviews Jonathan Griffin's recent publication On Fire. Fires are real, not just mythological, and this brief, frank document about fires in artists’ studios suggests not the slightest…
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In the Studio: Carroll Dunham
The New York painter, known for his biomorphic abstractions and broadly comic nude-figure scenes, discusses his early devotion to the linear Conceptualism of figures like Sol LeWitt, Agnes Martin and…
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In the Studio: Richard Aldrich
With paintings currently in a group show at New York's MoMA, Richard Aldrich discusses literature, music, therapy and his own earlier artworks—all elements in his instinctive, self-reverential, consta…
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In the Studio: Richard Tuttle
Richard Tuttle began showing his work in the mid-'60s, at the age of 24, and quickly became a significant contributor in an art scene that included artists as diverse as Robert Smithson and Agnes Mart…
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Rirkrit Tiravanija Lights Stockhausen at the Armory
The music, a 70-minute excerpt of the late composer's 29-hour opera "Licht," was intended to be performed in a specially designed chamber with octophonic (8-channel) sound. Tiravanija conceived of a…
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