Twitch is known for noisy, high-speed gaming livestreams, but Lorelei Ramirez made a space there for trenchant social criticism and juvenile buffoonery.
Perhaps what Erichsen has somehow managed to do is produce work that anybody's handy, weirdo cousin could make but that nobody in their right mind would make.
Cox-Richard's critical aim may be lost on the casual viewer who opts to forgo the wordy wall texts and ogle at the novelty of familiar forms saturated with rousing chromatics. For the more…
Fusebox 2019 was challenging, joyous, anti-capitalist, frustrating, and laugh-out-loud funny. But most importantly, it implicated audiences in the global meltdown.