Beyond Neon: Mary Weatherford’s Abstraction Is Rooted in a Sense of Place
Referencing both nature and the modernist tradition, Weatherford's paintings often incorporate shells and sponges or vivid neon tubes.
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Slow Painting
Slow Painting imbeds a premonition of something potentially enormous held in reserve that can only be revealed slowly.
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John McLaughlin
John McLaughlin (1898–1976) is an avatar of a peculiarly animated and individuated proto-Minimalism associated with Los Angeles artists including Larry Bell, Robert Irwin, and John McCracken. He is wi…
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Between Worlds
Painter and sculptor Joaquín Torres-García left his native Uruguay for 40 years, absorbing radical new art in Europe and the U.S., before returning home in 1934 to advocate for a School of the South…
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Inventing Pop Abstraction
Uniting firmly outlined forms and bold colors, American painter Nicholas Krushenick created a new nonobjective vocabulary in the 1960s.
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Painting the Unseen
"Unlike the critics, none of the artists I know has ever accused me of being a painter. The question isn't whether painting is alive or dead, either—that's a completely demented debate. Like every med…
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George Sugarman
This exhibition of five of George Sugarman's painted-wood sculptures from the 1960s was his biggest show in New York in 25 years, and it prompted one to wonder why his work isn't a more integral part…
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Kim MacConnel
This mini-survey of Kim MacConnel's unstretched fabric paintings from the 1970s, and a terrific one from 2004, is the first of four shows at Salomon this spring collectively titled "American Respons…
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Nicholas Krushenick
I would be surprised if there was a more exciting painting exhibition in a New York Gallery this season than the concentrated four-decade survey of paintings and works on paper of Nicholas Krushenic…
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Sigmar Polke: Ghosts in the Machine
The veteran prestidigitator takes a fresh look at the magic of pictorial representation. His new paintings feature homemade lenticular ridges along with imagery borrowed from both art and commerce…
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