Late Art Historian David C. Driskell Taught Us to See Beauty in the Overlooked
Critic Taylor Renee Aldridge remembers a figure who insisted on the truths of African American art.
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‘We Ourselves Are Our Prize’: Lasting Works in the Whitney Biennial Evoke Toni Morrison and Ancestry Through the Ages
"In many instances, the Biennial opens up space for subjectivity to be rendered through multiplicity—and perhaps in ways not attainable to certain viewers."
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Melding Machines: Jenn Nkiru’s ‘BLACK TO TECHNO,’ Factories, and Detroit
Upcoming screenings of the filmmakers work will occur at Norwest Gallery in the Motor City and at the Whitney Museum in New York as part of the Whitney Biennial.
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Building Better Futures: Complex Movements Brings ‘Beware of the Dandelions’ to Detroit
Multifarious piece—part interactive sculpture, part community engagement project—uses speculative fiction for social change
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Black Bodies, White Cubes: The Problem With Contemporary Art’s Appropriation of Race
In December 2015, while at Art Basel Miami Beach, I was scrolling through my Instagram feed when I found a video of a large inflated object. The object was a body, lying face down, on its stomach…
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