The Beautiful and the Damned
A new biography of Dave Hickey argues that the controversial critic belongs in the canon of American letters.
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The Robotic Heart of Freedom
Meriem Bennani's show elaborates her sci-fi narrative of refugees who turn a detention center into their home.
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Appropriation and Antagonism
Incorporating a suite of self-portraits by Rachel Dolezal, Hamishi Farah's show "Antagoni" explores the ethics of appropriation, both artistic and cultural.
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Pandemic Time
David Horvitz's show "oceaean" explored the strange temporal experience of lockdown.
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Among Friends
An online exhibition by James Benning, Julie Ault, and Martin Beck offers an intimate look at their friendship through artworks.
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Josh Kline Is Here to Give You Some Alternative Facts
Kline critiques the values of a country that prioritizes the ability to have your own version of the truth delivered to you on a TV you bought at half-price on Black Friday.
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Teens Wander a Postapocalyptic World in Stanya Kahn’s New Film
Kahn has frequently portrayed contemporary civilization as a wasteland, but No Go Backs may be her starkest treatment of the theme to date.
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Lauren Halsey’s Psychedelic Homage to South Central
Lauren Halsey’s exhibition at David Kordansky, her first at the gallery, took the form of a clamoring, abstracted cityscape: a funk apotheosis of South Central—or, as the city and its real…
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In Agnes Pelton’s Ebullient Paintings, the Cosmos Is Flush with Gentle Energy
In 1932, at age fifty, Agnes Pelton, moved from Long Island to the desert town of Cathedral City, California, and, shortly thereafter, witnessed a great storm. She captured her impressions in…
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An Exhibition Revises MoMA’s 1959 “New Images of Man” with Newer Images of Men—and Women
Dave Muller’s wall-size painting Dust Jacket #1 (NIM Strand), 2020, depicts a worn copy of the catalogue for a 1959 Museum of Modern Art exhibition curated by Peter Selz, “New Images of Man.”…
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