Thud, Tap, Trickle: “Soft Water Hard Stone” at the New Museum
Out of the formalism and slight gestures of this year's triennial emerges a misty critique of the institution.
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Radical Restructure: Innovative Art Spaces in Los Angeles
A look at some of the city's most unconventional and inventive DIY galleries and curatorial projects.
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Swallowed Symbols: Kim Farkas at Downs & Ross
Kim Farkas's sculptures enshrine common goods signifying Chinese culture in an attempt to capture life in a diaspora.
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The Anxiety of Imitation: “Dürer and After” at the Clark Art Institute
Dürer's images persist in the art historical lexicon not only because of their delicate intensity, but because they were widely copied.
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One Work: Aria Dean’s “Suite!”
At REDCAT, Aria Dean's animated video installation extends her work with kudzu vines as a metaphor for Blackness, and weaves in theories of infinity.
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The Beautiful and the Damned
A new biography of Dave Hickey argues that the controversial critic belongs in the canon of American letters.
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The Robotic Heart of Freedom
Meriem Bennani's show elaborates her sci-fi narrative of refugees who turn a detention center into their home.
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Appropriation and Antagonism
Incorporating a suite of self-portraits by Rachel Dolezal, Hamishi Farah's show "Antagoni" explores the ethics of appropriation, both artistic and cultural.
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Pandemic Time
David Horvitz's show "oceaean" explored the strange temporal experience of lockdown.
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Among Friends
An online exhibition by James Benning, Julie Ault, and Martin Beck offers an intimate look at their friendship through artworks.
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