Throughout her fifty-year practice, Ruth Hardinger has infused Conceptual and Post-Minimal aesthetics with a greater concern for the relationships between land and materials.
One could speculate that the Shed's figuring of Agnes Denes as an unclassifiable savant more in league with Renaissance humanists than with her direct contemporaries serves in part to bracket the…
That Radigue and Ferrari should be toasted in parallel is appropriate: while their work took wildly different forms, both figures began their careers in the orbit of musique concrète.
With "Robert Morris: Para-Architectural Projects," Hunter College's Leubsdorf Gallery spotlighted a seldom-seen portfolio by a postwar artist whose sculpture and writings helped define the Minimalist…
"Manfred Mohr, A Formal Language" surveyed the five decades of work this foundational yet under-known computer artist has made since adopting algorithms as tools of artistic creation.
What one feels while in the presence of Beer's warbling vessels is a touching superfluity: the sense that these things have been singing, alone, for eons, and will continue to sing long after we…