Fifty years after Lucy Lippard mounted a landmark exhibition surveying work by women artists, the Aldrich mounts a sequel folding in contemporary artists.
Her quick ascent, fade into the background, and reemergence can be read against the art world's cyclical patterns of embracing and ignoring identity politics.
Los Angeles–based artist Ragen Moss creates sci-fi-ish sculptures in which biomorphic forms made of clear polyethylene contain organlike objects and hang from metal armatures, suggesting cocoons or…
Christopher Udemezue describes a stark binary in perceptions of Caribbean culture, contrasting the pleasures of flavorful food and island music with the darkness of colonial violence and persistent…
What tools can an artist use to make an audience slow down and pay attention to an image? The Jamaican-born, Brooklyn-based artist Paul Anthony Smith employs picotage in his photographic work…
Ilana Harris-Babou says that her mother is among the worst cooks she knows, which might come as a surprise, since the artist creates videos and ceramics that spoof cooking shows.
Savannah Knoop's first solo exhibition centered on a video delving into the clientele of the East Tenth Street Russian and Turkish Baths, which the artist considers to be a kind of chosen community.