Features
Hannah Wilke: Living As Art
A retrospective at the Pulitzer Arts Foundation shows how Hannah Wilke made bodily experience the center of her work, from sexual pleasure to illness and death.
Latest Reviews
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Online
One Work: Miko Revereza’s “No Data Plan”
With a hand-held camera, Miko Revereza captured a journey by rail across the country—a meditation on slow cinema and train films as much as immigration.
By Minh Nguyen -
New York
Flight Patterns: John Akomfrah at Lisson Gallery
In his latest film, John Akomfrah gives visual and historical shape to the traumas of this decade—pandemic, police violence, oppression—without blurring their forms.
By Jackson Arn -
Chicago
Turn Up the Volume: Barbara Kruger at the Art Institute of Chicago
The flexibility of Kruger's type means her work can adapt to any context, taking on different inflections as it does.
By Kay Rosen -
cologne
California Scheming: Noah Barker at Löwengasse
What do John Wayne, Richard Nixon, and Moby Dick have in common? Noah Barker explores their role in the production of the Western trope of the lonely rugged man.
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New York
A Sign of the Times: Kahlil Robert Irving and Lyndon Barrois Jr. at 47 Canal
Attempting to find meaning in the gaps between representations of time, this two-person exhibition is more diagnostic than dreamlike.
By Simon Wu -
Wichita
Lost in Translation: Richard Ibghy and Marilou Lemmens at the Ulrich Museum of Art
The artist duo's videos record human efforts to protect and understand avian species—while their sculptures speak to larger systems causing birds' decline.
By Gean Moreno
On View
Twelve Shows to Know About That Open This October
Survey shows about a changing world and retrospectives for under-recognized figures are forthcoming.
Gray Areas: Artists on Jasper Johns
Am I Blue?: Woody De Othello’s Ceramic Sculptures Give Funk Art a Musical Twist
Exhibition Designer Brianne Muscente-Solga on Connecting and Healing Through Art
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