Interviews
Anika Tabachnick on Intergenerational Exchange and Creating Supportive Museum Programs
Q&A with Anika Tabachnick, creative aging programs associate at Bainbridge Island Museum of Art.
Latest Reviews
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New York
Weeding and Seeding Histories: Walid Raad at Paula Cooper
Walid Raad's latest works share a sense of serious play, shrinking political figures and magnifying their countries' flora and fauna to allegorize human conflicts.
By Kaleem Hawa -
New York
Fighting Enfreakment: Lorenza Böttner at the Leslie-Lohman Museum of Art
A disabled artist toys with the politics of staring. But the curation of her mini-retrospective exposes the limits of self-representation.
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Chicago
Pleasure in Perversion: Austin Osman Spare at Iceberg Projects
Illustrating a cornucopia of perversions, Austin Osman Spare's drawings highlight the skills that made him a celebrated artist, and the wide-ranging interests that dimmed his career.
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New York
One Work: Rosa Bonheur’s “The Horse Fair”
In her art as in her life, Rosa Bonheur exceeded categorizations, as demonstrated by her sixteen-foot masterpiece portraying a lively scene with some twenty horses.
By Sue Taylor -
New York
Swirls of Flesh: Dorothea Tanning at Kasmin Gallery
The range of paintings on view showcased Tanning's strengths as a colorist as well as her more muddled efforts.
By Jackson Arn -
Chicago
One Work: Bob Thompson’s “The Carriage”
In his take on a well-known Nicolas Poussin painting, Bob Thompson presents a more eerie scene with darker implications.
By Leah Gallant
Issues & Commentary
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On View
Liao Wen’s Dislocated Bodies
A Chinese sculptor twists and stylizes figures to echo Greek myth and contemporary social displacement.
Widline Cadet Explores How Images Echo Across Time and Space
Photographer Laurie Kang Ditches the Image, Turning Her Medium into a Material
Mai-Thu Perret’s Fictional Objects
From the Art in America Guide
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