Interviews
Emma Pryde on the Aesthetics of Innocence
The Wisconsin-based artist's current exhibition marks a turn not only to a new medium, but also toward Christian symbolism.
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Latest Reviews
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New York
One Work: Joan Semmel’s “Waiting”
Depicting herself in an unsettled pose and cropped composition, Joan Semmel captures the process of appreciating a vulnerable body.
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London
Set Piece: Sandra Mujinga at The Approach
Sandra Mujinga's green room stages the paradoxical hypervisibility and invisibility of Blackness and the tension between stasis and change.
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Book
All Black Everything
The anthology Black Futures captures the richness of Black creativity today.
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The Creation of “Women”: Zanele Muholi at Tate Modern
Defying colonial history, the South African photographer celebrates non-binary and "self-fashioning" compatriots.
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Los Angeles
One Work: Ben Sakoguchi’s “Chinatown”
Representing xenophobic attitudes and racist incidents, Ben Sakoguchi's fifteen-panel painting emphasizes the pervasiveness of violence against Asian Americans.
By Harley Wong -
New York
Spirits Welcome: Beverly Buchanan at Andrew Edlin
Beverly Buchanan's photographs and "legends" of the real or imagined lives of rural Southerners contextualize her celebrated shacks.
By Wendy Vogel
Issues & Commentary
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The ICE Man Painteth
George W. Bush paints over his flawed policies in a new book of immigrant portraits.
By Zoé Samudzi
On View
How Felix Gonzalez-Torres’s Unabashedly Political Art Lent Minimalism a New Context
His elegant work evinces losses, disappearances, and absences.
The NFT’s Promise of Control
Sean-Kierre Lyons’s Flower Warriors and Cracker Flags
I Will Not Be Taught How to Behave: Deborah Roberts Carries on a Black Expressive Tradition
From the Art Guide
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