Features
The New Alternatives: Online Art Education Now
Artists are developing programs that don’t replace art school but supplement it with experimental, more equitable forms of pedagogy.
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Latest Reviews
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Nice
Pleasure by Extraction: Shu Lea Cheang at the Musée Départemental des Arts Asiatiques
Sexual climax is both heightened and commodified in the dystopian world of Shu Lea Cheang's latest exhibition and forthcoming feature film.
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Houston
Eye of the Storm: Allora & Calzadilla at the Menil Collection
Allora & Calzadilla's exhibition "Specters of Noon" explores the colonial history of Puerto Rico through a Surrealist lens.
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Atlanta
A Central Axis: David Driskell at the High Museum of Art
A major survey emphasizes that David Driskell's contributions to art history were rooted in his own work, which refracted the concerns of Black Americans.
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New York
One Work: Rindon Johnson’s “Coeval Proposition #1: Tear down so as to make flat…”
With a towering wooden sculpture installed at SculptureCenter, Rindon Johnson reclaims the architecture and symbolism of a Bay Area landmark.
By Alicia Ajayi -
Scottsdale
Looming Histories: Diedrick Brackens at the Scottsdale Museum of Contemporary Art
Inspired by the story of Moses and the lore of freedom quilts, Diedrick Brackens weaves textiles and baskets whose designs suggest protection.
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Louisville
Confronting Erasure: “Promise, Witness, Remembrance” at the Speed Art Museum
The exhibition explores the parameters of Black representation and expression in America and in the wake of violence.
Issues & Commentary
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The ICE Man Painteth
George W. Bush paints over his flawed policies in a new book of immigrant portraits.
By Zoé Samudzi
On View
Hard Choices: Should You Be an Art Critic?
Take this quiz and tally your score to see if you're ready to activate the discourse.
Oren Pinhassi on Erotic Architecture and Sculpting with Sand
On the Future of the Museum
How Danielle Brathwaite-Shirley Archives the Black Trans Experience
From the Art Guide
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