Columns
Hard Choices: Will You Survive Your First Solo Gallery Show?
Take a quiz to see if you will catch a big break—or be broken.
Latest Reviews
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Venice
March of the Cyborgs: the 59th Venice Biennale
Cecilia Alemani's exhibition is visually rich and conceptually murky.
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Los Angeles
One Work: Beatriz Cortez’s “Ilopango, Stela A”
Made from segments of welded steel, Cortez's sculpture considers the relationship between geological change and human migration.
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Toronto
Prism of Relations: the 2022 Toronto Biennial
The biennial's curators asked how land might be an archive, prompting reflections on human conflicts over land as well as visions for alternate relations.
By Mira Dayal -
Kassel
Friendship and Antagonism: Documenta 15
The institutional mishandling of the German quinquennial lays bare distinctions between representational and material advocacy.
By Minh Nguyen -
Book
A Color for Our Times: “Safety Orange” Considers a Curious Hue
A new theoretical text convincingly argues that orange is the new red, white, and blue.
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Berlin
Forensics and Fables: the 12th Berlin Biennale
"Still Present!" supplies a provocative—but ultimately unsatisfying—answer to political art's existential woes.
Issues & Commentary
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Excavating Ancient Expressions of Gender
An exhibition of Pompeian frescoes provides a window into how ancient Roman painters understood and represented gender.
By Roko Rumora
On View
Value and Its Sources: Slavery and the History of Art
Two recent volumes examine the intersecting histories of art and slavery.
From the Archives: Claes Oldenburg’s Awakening
Daniel Tobin on Artistic Intent, Making Mistakes, and Metal Casting with Sustainable Materials
In the Studio: Dayanita Singh’s New Conceptions of Photography
From the Art in America Guide
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RobbReport
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WWD
Selfie Museum The Black Hair Experience Launches in Brooklyn
Rolling Stone
Megan Thee Stallion Says She Wanted to ‘Take Control of My Own Narrative’ on ‘Traumazine’
Sportico
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