Freedman Fitzpatrick's recent exhibition of Sturtevant's rarely seen videos framed the works anachronistically as 'memes'—a term whose association with digital imagery had barely begun at the time…
Douglas Rieger's sculptures imply the human figure but aren't exactly figurative.
David Lynch's exhibition at Sperone Westwater, "Squeaky Flies in the Mud," found the seventy-three-year-old auteur at his worst.
Over nearly two decades, Hugo Crosthwaite has applied portraiture's concentrated attention not only to individuals but even more avidly to place.
At first glance, "Shadows on the Wall," Meredith James's exhibition at Jack Hanley, looked like a sparse arrangement of nondescript midcentury furnishings: an armchair, desk, office chair, medicine…
Kevin Guthrie is a self-taught artist who draws portraits of pop-culture heroes and villains with pencil and crayon on the inner side of flattened cardboard boxes once packed with beer cans.
There was a time when the principle of returning to African countries art and artifacts removed under colonial rule seemed on its way to becoming an international norm.
A conversation on algorithms, meteorology, and artists who have sought to record the ephemeral.
