Although Nathaniel Mary Quinn's faces look collaged, they're actually rendered with oil, paint stick, gouache, and pastel, usually against a plain colored background. He works intuitively but…
Seemingly an odd sideline for a trained architect, Jean-Jacques Lequeu's sexual image-making is in fact key to his legacy, evidence of an artistic project sparked by revolution.
In a political moment riven by dogmatism, Vaginal Davis's work subverting categories of race and gender is freshly urgent.
New Orleans–based filmmaker Garrett Bradley attempts to make up for the loss of unpreserved silent films made in the 1910s and '20s, the "heyday of Black cinema."
Combining fleshy silicone and spindly nickel-plated steel rods in strangely alluring ways, the sculptures in Hannah Levy's show, "Pendulous Picnic," suggested the elegant fantasies of a paraphiliac.
Katherine Hubbard makes carefully considered references to Minimalism in her photography, with particular attention to Minimalist sculpture's ambition to reorient the viewer's relationship to the…
Private markets and philanthropy will be changed on the other side of this pandemic, so it is time once again to envision what art looks like as a public good.
There are many ways to take stock of the decade, and before this one slips away, we look back at the terminology that defined the era.
