Reviews
Latest Reviews
One Work: Etel Adnan’s “Untitled”
Mount Tamalpais was a motif of the late artist's life and paintings, exemplified by one canvas from 1984 that captures a sense of becoming.
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Replies Confidential: Robert Ashley at Roulette
Three interrogators walk into a room. An electronic orchestra begins. Robert Ashley's opera "eL/Aficionado" is an inquiry without a resolution.
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Not Relatable: April Clark and Grace Freud’s “Girl God”
In their surreal show "Girl God," trans comics April Clark and Grace Freud translate their Twitter presences to the stage.
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Birds of Paradise: Tony Fitzpatrick at Cleve Carney Museum of Art
Sentimental and mythological, Tony Fitzpatrick's multimedia collages conjure a vibrant, gritty Chicago that is no more—or perhaps never was.
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Destroy All Prejudice: The Godzilla Group’s Art World Mission
In the 1990s, the New York–based Godzilla collective launched a campaign against the exclusion of Asian Americans from the US visual arts scene.
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Body Language: “Modern Art and the Remaking of Human Disposition”
A new study explores how fin-de-siècle artists used posture to convey emerging understandings of human psychology.
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Swallowed Symbols: Kim Farkas at Downs & Ross
Kim Farkas's sculptures enshrine common goods signifying Chinese culture in an attempt to capture life in a diaspora.
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Painting on Eggshells: Kristin Calabrese at Louise Alexander Gallery / AF Projects
With technical finesse and painterly interludes, Kristin Calabrese transforms everyday scenes and enlarged objects into portraits of psychological states.
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Welcome to the Dollhouse: Mike Goodlett at Institute 193
The late artist's rarely-exhibited shadowbox sculptures use miniature interiors to explore intimacy and eroticism.
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Night at the Museum: Louise Lawler at Metro Pictures
Lawler continued her investigation of the lives of artworks by shooting Donald Judd's MoMA retrospective after hours, casting them in a different light.
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