Reviews
Latest Reviews
March of the Cyborgs: the 59th Venice Biennale
Cecilia Alemani's exhibition is visually rich and conceptually murky.
- By
One Work: Beatriz Cortez’s “Ilopango, Stela A”
Made from segments of welded steel, Cortez's sculpture considers the relationship between geological change and human migration.
- By
Prism of Relations: the 2022 Toronto Biennial
The biennial's curators asked how land might be an archive, prompting reflections on human conflicts over land as well as visions for alternate relations.
- By
Friendship and Antagonism: Documenta 15
The institutional mishandling of the German quinquennial lays bare distinctions between representational and material advocacy.
- By
Get the Magazine
The World's Premier Art Magazine since 1913. Subscribe today and save up to 33%!
Or, give the gift of Art in America. Sign Up
A Color for Our Times: “Safety Orange” Considers a Curious Hue
A new theoretical text convincingly argues that orange is the new red, white, and blue.
- By
Forensics and Fables: the 12th Berlin Biennale
"Still Present!" supplies a provocative—but ultimately unsatisfying—answer to political art's existential woes.
- By
Got Milk?: Ani Liu at Cuchifritos Gallery + Project Space
In visualizing her experience as a new mother, Ani Liu helps remove the shroud of mystery around the postpartum period while questioning societal expectations for caretaking.
- By
From Protest to Rest: Joshua Rashaad McFadden at the George Eastman Museum
"I Believe I'll Run On" gives McFadden's journalistic and personal photographs equal emphasis, prompting a consideration of image-making in community.
- By
Old Genres, New Women: “Pioneers” at the Musée du Luxembourg
Bucking gendered limitations and representations, women artists in 1920 Paris celebrated the "new woman" and hoped for societal change after WW1.
- By
Paper and Politics: Amy Lien and Enzo Camacho at 47 Canal
Amy Lien and Enzo Camacho explore the politics of land use through found materials.
- By
Newswire
First Look at 60 Curzon in London, Architect Thierry Despont’s Debut European Residential Project
Direct-to-consumer Underwear Brand Parade Valued at $200 Million
Megan Thee Stallion Details ‘Traumazine’ Album, Reveals Tracklist
Learfield Losses Top $1.8 Billion Since 2019 as Pandemic Pain Lingers