Reviews
Latest Reviews
Pleasure in Perversion: Austin Osman Spare at Iceberg Projects
Illustrating a cornucopia of perversions, Austin Osman Spare's drawings highlight the skills that made him a celebrated artist, and the wide-ranging interests that dimmed his career.
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One Work: Rosa Bonheur’s “The Horse Fair”
In her art as in her life, Rosa Bonheur exceeded categorizations, as demonstrated by her sixteen-foot masterpiece portraying a lively scene with some twenty horses.
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Swirls of Flesh: Dorothea Tanning at Kasmin Gallery
The range of paintings on view showcased Tanning's strengths as a colorist as well as her more muddled efforts.
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One Work: Bob Thompson’s “The Carriage”
In his take on a well-known Nicolas Poussin painting, Bob Thompson presents a more eerie scene with darker implications.
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Two Hundred Pounds of Desire: Ryan Patrick Krueger at Monaco
Vintage photographs of coupled men join pages from queer magazines and scholarship in Ryan Patrick Krueger's archive of gay intimacy, which is laced with uncertainty and desire.
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Reconstructive Memory: Sam Spillman at Ulterior
Ulterior's first exhibition in their new location comprises a renovation that is also a semi-autobiographical artwork.
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Straight and Narrow: André Cadere at Ortuzar Projects
Known for his promenades with sculptural, colorful wooden staffs, André Cadere worked between several traditions, from institutional critique to Minimalism, as this survey illuminated.
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A Purse with a Fine-Tooth Comb: Victoria Gitman at François Ghebaly
Exquisitely detailed and painstakingly produced, Victoria Gitman's paintings of embellished accessories and Old Master portraits of women explore the constraints and conventions of beauty.
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Disquiet in the Abstract: The 2022 Whitney Biennial
Mounted after three years of societal upheaval, the Biennial tries to position representations of unrest and inequity alongside looming abstractions.
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Prisms of Influence: “Slip Zone” at the Dallas Museum of Art
Connecting Modernism to Mono-ha to Minimalism, this exhibition suggests that postwar abstraction involved more international exchanges than single vectors of influence.
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