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One Work: Eva Hesse’s “Expanded Expansion”
The recent conservation of Hesse's once-flexible sculpture, made of 13 draped latex panels, prompts questions about her approach to material instability.
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Studies in Contrast: Ahmet Doğu İpek at Arter
Boulders and foam, ink and water, the sun and the moon structure Ahmet Doğu İpek's studies in time and materiality.
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Go Easy On Me: FRONT Triennial
"Oh, gods of dust and rainbows" suggests that art is inherently healing—so long as it isn't too difficult.
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Double Take: “52 Artists: A Feminist Milestone” at the Aldrich Contemporary Art Museum
Fifty years after Lucy Lippard mounted a landmark exhibition surveying work by women artists, the Aldrich mounts a sequel folding in contemporary artists.
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History’s Painter: Benjamin H.D. Buchloh’s “Gerhard Richter”
In a long-awaited monograph, art historian Benjamin H.D. Buchloh reckons with the work of Gerhard Richter.
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One Work: Andrea Bowers’s “Letters to an Army of Three”
Offering information on safe abortions in the 1960s and '70s, a Bay Area activist group received countless inquiries from people nationwide; Bowers presents reenactments of their stories.
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Haunt, Graft, Recast: “New Earthworks” at the Arizona State University Art Museum
Eight artists and collectives draw on the principles of Earthworks but imagine less invasive approaches for more reparative purposes.
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Painting Pedigree: Amie Siegel at Thomas Dane Gallery
Furthering her explorations of how labor and value operate within art, Amie Siegel films the transport and exhibition of paintings by 18th-century English animal portraitist George Stubbs.
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Down to Earth: Piero Gilardi at Magazzino Italian Art
Blending realism and artifice, Piero Gilardi's "Nature Carpets" suggest carefully excised segments of terrain.
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Signifying Power: Oscar Murillo at the Saint Louis Art Museum
Can the physical exertion of painting large-scale abstractions speak to the agitation of political protest?
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