Reviews
Latest Reviews
Labor, Luster, and Lineage: “Hear Me Now” at the Metropolitan Museum of Art
While unable to profit from their skills, enslaved Black potters in 19th-century South Carolina exercised great artistry in the vessels on view.
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Rehearsing Ancestry: Cannupa Hanska Luger at the Center for Craft
As if staging a dress rehearsal without a director, Cannupa Hanska Luger uses disparate sources to recover the pottery traditions of his ancestors.
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An Eclectic Archive of Cultural Currents: “The First Homosexuals” at Wrightwood 659
Curators attempt to trace how a nascent word for a queer identity influenced the following decades of visual art.
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An Abstract Portico: Robert C. Morgan at the Scully Tomasko Foundation
The artist-critic deploys geometric abstraction as a reflection of architecture and human interactions.
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Structures of Force: Denyse Thomasos at the Art Gallery of Ontario
Grids structure many of Denyse Thomasos's paintings, which grapple with the legacy of slavery and ongoing structures of oppression.
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Mapping the Past: Tiffany Chung at Davidson Gallery
The Vietnamese-born, US-based artist uses archeological fragments and data visualization to probe multiple layers of history.
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Euphoria and Loss: Wolfgang Tillmans at the Museum of Modern Art
Attention to the emotional dimensions of sociopolitical moments connects Wolfgang Tillmans's bodies of work in his MoMA retrospective.
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The Enfolding: Michelle Segre at 56 Henry
Michelle Segre's offbeat sculptures made from yarn and wire embody a range of artistic and cultural references. Her recent show takes its title from an Octavia Butler novel.
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Abstracting the Political: The 58th Carnegie International
Titled "Is it morning for you yet?," the 58th Carnegie International features many works that tackle American imperialism in sharp but subtle ways.
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Shit Moms and Cake Men: Tala Madani at the Museum of Contemporary Art
Brutish men and incapable mothers populate Tala Madani's scenes of humanity's worst behaviors.
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