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Reviews
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Latest Reviews
Pleasure by Extraction: Shu Lea Cheang at the Musée Départemental des Arts Asiatiques
Sexual climax is both heightened and commodified in the dystopian world of Shu Lea Cheang's latest exhibition and forthcoming feature film.
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Eye of the Storm: Allora & Calzadilla at the Menil Collection
Allora & Calzadilla's exhibition "Specters of Noon" explores the colonial history of Puerto Rico through a Surrealist lens.
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A Central Axis: David Driskell at the High Museum of Art
A major survey emphasizes that David Driskell's contributions to art history were rooted in his own work, which refracted the concerns of Black Americans.
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One Work: Rindon Johnson’s “Coeval Proposition #1: Tear down so as to make flat…”
With a towering wooden sculpture installed at SculptureCenter, Rindon Johnson reclaims the architecture and symbolism of a Bay Area landmark.
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Looming Histories: Diedrick Brackens at the Scottsdale Museum of Contemporary Art
Inspired by the story of Moses and the lore of freedom quilts, Diedrick Brackens weaves textiles and baskets whose designs suggest protection.
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Confronting Erasure: “Promise, Witness, Remembrance” at the Speed Art Museum
The exhibition explores the parameters of Black representation and expression in America and in the wake of violence.
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Controlled Chaos: Katie Bell at Spencer Brownstone
Katie Bell's show "ARENA" at Spencer Brownstone offers a playfully domestic take on Post-Minimalist scatter art.
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The Effervescent Everyday: Mindy Rose Schwartz at Interstate Projects
Schwartz's sculptures are crafty, kitschy, and totally sincere.
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The Body’s Truth: David Hammons at the Drawing Center
The institutional presentation of the body prints of the late '60s and '70s felt at odds with their carnal critiques of racial inequality.
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Attachment Theory: sidony o’neal at Veronica
Drawing on the language of math and programming, sidony o'neal explores how objects determine each other's behavior and points to different possible relations.
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