Titled "Dysfunctional Furniture"—a phrase that could qualify as an irreverent definition of sculpture—Ken Ehrlich's exhibition at Human Resources welcomed a categorical fuzziness around form and…
Though water is a central theme, the approach to it is muddied by the fact that each work says more about its own format than anything else.
Generally considered a conceptual artist, León Ferrari (1920–2013) might just as aptly be described as an activist. His collages and assemblages eschew allusive subtlety for unambiguously…
Noah Davis's paintings are weird, dark, and intoxicatingly beautiful—a range he hit with subtlety and ease. He used muted colors, diluted pigments, and washed-out drip marks to render black figures…
Peter Saul is an utterly feverish colorist, heir to Bacon and Delacroix, and you can't help but admire his tense, syncopated compositions. But his style is so given to extremes that, almost by…
Dave Muller's wall-size painting Dust Jacket #1 (NIM Strand), 2020, depicts a worn copy of the catalogue for a 1959 Museum of Modern Art exhibition curated by Peter Selz, "New Images of Man." Muller…
In his quest to expose how messed-up our economic-political system is, Yoshua Okón depicts its effects on people who are merely cogs in the machine.
Juanita McNeely's exhibition comprised two large multi-panel paintings that transmit the pain of their female subjects with an intensity that is almost too much to bear and a painterly confidence…
Dorothea Lange's photographs speak volumes on their own. She produced many of her most recognizable images for the Farm Security Administration during and after the Great Depression: the last period…
The centerpiece of Troy Brauntuch's exhibition is a set of thirty-two photo-engravings depicting installations of academic landscapes, neoclassical nudes, and equine statues in the marble-accented…
