Turning the Tide: “Sun & Sea” at the Brooklyn Academy of Music
The opera can be understood as a consciousness-raising effort, with a self-aware approach that is both immersive and unconventional.
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Twisted and Cute: Wong Ping at the New Museum
Wong Ping's animated shorts, several made during a tumultuous political period in Hong Kong, depict characters navigating taboos, to mixed ends.
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One Work: Robert Longo’s “Untitled (Insurrection at the U.S. Capitol…)”
A photorealistic, mural-size rendering of the insurrection at the US Capitol is less a glorification than a troubling of the scene.
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Forms of Recognition: Shane Cotton at The Dowse
Riffing on Māori symbols, the painter-sculptor addresses the disruption of traditional culture by European settlers.
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The Anxiety of Imitation: “Dürer and After” at the Clark Art Institute
Dürer's images persist in the art historical lexicon not only because of their delicate intensity, but because they were widely copied.
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Breaking the Master’s Tools: Ilana Harris-Babou at the ICA Chattanooga
In Ilana Harris-Babou's sculptures and videos, home improvement shows and self care regimens become vehicles for critiquing inequities and arguing for reparations.
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The Picture of What Is to Come
A history of computing shows how the logic of graphics processing shapes our world—but doesn't explore this insight's implications.
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Travails and Contrails: Michael Richards at MoCA North Miami
For Michael Richards, the history and symbology of flight provided a language for addressing structural racism and the inequities facing Black artists in America.
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Pieced Together: Mary Lee Bendolph at Nicelle Beauchene
Eleven quilts exemplify how Mary Lee Bendolph integrated distinctive forms and personal concerns into inherited patterns.
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Foreign Policy and Megadeth: José Guadalupe Garza at High Low Gallery
Using the language of popular culture, the artist interrogates the fraught relationship between the United States and South America.
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