"A Movement in Every Direction" at the Baltimore Museum of Art presented 12 artists considering how Black families, including their own, navigated an era's geographic and sociopolitical shifts.
Abigail DeVille’s “Only When It’s Dark Enough Can You See the Stars” was the Contemporary’s most ambitious and well-executed effort to date. The organization initiated a dialogue between DeVille, a Ne…
Van Hanos’s exhibition came at the midpoint of a three-year series of site-specific shows at Rowhouse Project, a venue in Baltimore’s rapidly gentrifying Remington neighborhood. Prior exhibitions took…
The paintings and photographs in “Jo Smail: Degrees of Absence” showed the artist using familiar and new approaches, respectively, in her subtle, potent work. Born in South Africa, Smail is based in…
“End to End,” Korean artist Youngmi Song Organ’s first solo show in more than five years, presented a collection of “drawings” composed entirely of her own hair affixed to mulberry paper. The exhibiti…
“Material Girls: Contemporary Black Women Artists” at the Reginald F. Lewis Museum of Maryland African American History and Culture offers a glimpse of the sculptural practices of eight artists hailin
…
"Agitated Histories," the fourth and final exhibition in a series marking the Contemporary Museum's 20-year anniversary, provided an international and intergenerational look at what it means to inte…
Despite the forward-looking nature of their name, the San Francisco-based collective Futurefarmers, who play off the nomenclature of an agricultural organization established in the early 20th century…