One Work: Beatriz Cortez’s “Ilopango, Stela A”
Made from segments of welded steel, Cortez's sculpture considers the relationship between geological change and human migration.
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Los Angeles Reviews
Beastly and Banal: Kathleen Henderson at Track 16
Drawing on myth and folklore, Kathleen Henderson's drawings portray human folly and critique contemporary abuses of power.
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A Purse with a Fine-Tooth Comb: Victoria Gitman at François Ghebaly
Exquisitely detailed and painstakingly produced, Victoria Gitman's paintings of embellished accessories and Old Master portraits of women explore the constraints and conventions of beauty.
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A Garden, Uneven: EJ Hill at Oxy Arts
EJ Hill turns from endurance-based performances to pretty flower paintings in this solo show, with mixed results.
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Moving Images: Sabrina Gschwandtner at Shoshana Wayne Gallery
Arranging strips of film into quilt-like compositions, Sabrina Gschwandtner revitalizes the work of forgotten women filmmakers.
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The Comet and the Hourglass: Theodora Allen at Blum & Poe
Through five new paintings weaving together familiar symbols, Theodora Allen creates a contemplative space suggesting a higher order amid the chaos of life.
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The Search Continues: “Witch Hunt” at the Hammer Museum and Institute of Contemporary Art
The exhibition focused on the concerns of women across the globe, with sometimes contrasting approaches to feminism.
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Painting on Eggshells: Kristin Calabrese at Louise Alexander Gallery / AF Projects
With technical finesse and painterly interludes, Kristin Calabrese transforms everyday scenes and enlarged objects into portraits of psychological states.
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Complicating Light and Space: Rosha Yaghmai at Kayne Griffin
Rosha Yaghmai's "Afterimages" evoke the optical effects of California's Light and Space movement, while emphasizing the lived impact of time and migration.
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One Work: Eva Beresin’s “Fixing It”
Eva Beresin's fable-like tableau of humans and animals infuses a simple gesture with a sense of urgency and allegory.
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