Fred Lonidier’s Drily Humorous Works Channel Political Power through Conceptual Art
At Michael Benevento, Lonidier's photo-text works document labor struggles and art talks alike using a dry anti-aesthetic.
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Los Angeles Reviews
One Work: Elaine Cameron-Weir’s “Dressing for Windows/Dressing for Altitude/Dressing for Pleasure”
A trio of symbolic objects suggests a larger system of operations or meanings.
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Fantasy’s Limitations: Nathalie Djurberg and Hans Berg at Tanya Bonakdar
Forest creatures and anthropomorphized eggs populate this exhibition but struggle to cohere into an immersive environment or challenge expected narratives.
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Shit Moms and Cake Men: Tala Madani at the Museum of Contemporary Art
Brutish men and incapable mothers populate Tala Madani's scenes of humanity's worst behaviors.
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Both Sides of a Cloud: Kylie Manning at Pace Gallery
Manning's work evokes the speed and lightness of a sketch, for the marks feel at first chaotic, almost arbitrary and unfinished, but the longer you look, the more clear it becomes that each mark has…
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Second Life: James Welling at Regen Projects
Classical statuary and contemporary techniques combine to startling effect in James Welling's new photographs.
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The Fire, the Couch, and the Clit Ring: Kaari Upson at Sprüth Magers
The artist's first exhibition in Los Angeles since her death merges oversize dollhouse furniture with sexually charged narratives.
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Shoots and Ladders: Chadwick Rantanen at Bel Ami
Rantanen enigmatically links two series of works: color photographs of vernacular subjects in walnut frames and miniature models of staircases.
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One Work: Andrea Bowers’s “Letters to an Army of Three”
Offering information on safe abortions in the 1960s and '70s, a Bay Area activist group received countless inquiries from people nationwide; Bowers presents reenactments of their stories.
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One Work: Beatriz Cortez’s “Ilopango, Stela A”
Made from segments of welded steel, Cortez's sculpture considers the relationship between geological change and human migration.
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