I Thought I Saw a Pussy Cat: Talia Chetrit at Hannah Hoffman
Talia Chetrit's photographs of intimacy, domesticity, and sexuality take on a new resonance, and suggest different stakes, during quarantine.
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One Work: Naotaka Hiro’s “Untitled (At Dawn)”
Naotaka Hiro's emblemlike painting of an abstract demon continues his interest in visualizing bodily phenomena, while charting a darker psychological period.
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Artist Persona: Frank Gehry at Gagosian
Frank Gehry's new Alice in Wonderland-themed immersive installation suggests the Kusama effect has supplanted the Bilbao effect.
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Art Isn’t What it Eats: Lygia Pape at Hauser & Wirth
Brazil's Anthropophagic movement of the 1960s advocated for an art that consumed colonial influences without neglecting Indigenous roots. Lygia Pape's version is even more cannibalistic.
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Body Image: New Sculpture at Various Small Fires
A summer group show ruminates on misalignments of the body and psyche, and their relationship to health and wellness.
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One Work: Ben Sakoguchi’s “Chinatown”
Representing xenophobic attitudes and racist incidents, Ben Sakoguchi's fifteen-panel painting emphasizes the pervasiveness of violence against Asian Americans.
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New Definitions: Kevin McNamee-Tweed at Steve Turner
In drawings, ceramic paintings, and a book of photographed signs, Kevin McNamee-Tweed imaginatively reshapes a borrowed vocabulary.
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The Robotic Heart of Freedom
Meriem Bennani's show elaborates her sci-fi narrative of refugees who turn a detention center into their home.
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The Measure of All Things
Brie Ruais's earthy sculptural installations reckon with our place—and question our role—in the physical world.
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Appropriation and Antagonism
Incorporating a suite of self-portraits by Rachel Dolezal, Hamishi Farah's show "Antagoni" explores the ethics of appropriation, both artistic and cultural.
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