Los Angeles–based artist Ragen Moss creates sci-fi-ish sculptures in which biomorphic forms made of clear polyethylene contain organlike objects and hang from metal armatures, suggesting cocoons or…
Hans Hofmann hung over this exhibition of Mike Kelley's paintings like an oppressive father figure to rebel against.
In Gary Panter's drawings, a line is not the shortest path between two points, but a slow, wavering one, a termite's crawl with endless detours and distractions.
As demonstrated by the paintings in the Metropolitan Museum of Art's retrospective of Vallotton's work, "Painter of Disquiet," the artist was a fine colorist, on par with his better-known peers. Yet…
Jennifer and Kevin McCoy's latest show at Postmasters centered on a new fictional video that explores how stark the disjuncture between blue- and white-collar labor has become.
Is it ironic, or simply appropriate, that Hugh Scott-Douglas, an artist whose work has often taken up the flows of twenty-first-century capital as its theme, is the poster child for the vagaries of…
After thirty years of exhibiting her work, language has failed Suzanne McClelland. Or, more accurately, she has failed language, having banished text from her latest series of paintings, "Mute"…
Tracing the many lines of Native modernism, "Stretching the Canvas" should be a bellwether for the institutions that still exclude these stories.
While Ed Atkins's videos play with the dissonance between the very human scenes they depict and their hyperreal computerized rendering, their most striking elements are the monologues he crafts for…
One could speculate that the Shed's figuring of Agnes Denes as an unclassifiable savant more in league with Renaissance humanists than with her direct contemporaries serves in part to bracket the…
