Cold Light: Deborah Remington at Bortolami and Craig F. Starr
A pair of New York shows highlighted the hard-edge paintings and drawings of the late Deborah Remington.
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New York Reviews
Hard Structures and Soft Power: Terence Gower at Americas Society
At Americas Society, Terence Gower locates the sociopolitical aims of the Americas in Mexico City's built environment, and in the venue's past.
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Stars and Symbols: Ming Smith at Nicola Vassell Gallery
Celebrated in recent survey exhibitions, Ming Smith's photographs embody a more Symbolist, Surrealist approach than those of her peers in the Kamoinge Workshop.
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One Work: Paul Cézanne’s “Rocks near the Caves above Château Noir”
Cézanne's drawings of the Bibémus quarry veer away from representation but are distinctive enough that his biographer could identify the site.
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Gray and Green: Maya Lin at Madison Square Park
Nearly fifty dead trees installed in Madison Square Park to raise alarm on climate change create a placid environment suggesting adaptation.
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Bad Fruit, Fertile Ground: Kathleen Ryan at Karma
Clearly in dialogue with seventeenth-century Dutch still lifes, Kathleen Ryan's bejeweled sculptures of rotting foods are also inspired by DIY crafts and homespun decor.
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All Rise: Cameron Rowland at Essex Street
Accompanied by texts relaying the entangled histories of slavery and policing, Cameron Rowland's expositional sculptures also serve as memorials and forms of protest.
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One Work: Rindon Johnson’s “Coeval Proposition #1: Tear down so as to make flat…”
With a towering wooden sculpture installed at SculptureCenter, Rindon Johnson reclaims the architecture and symbolism of a Bay Area landmark.
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Controlled Chaos: Katie Bell at Spencer Brownstone
Katie Bell's show "ARENA" at Spencer Brownstone offers a playfully domestic take on Post-Minimalist scatter art.
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The Effervescent Everyday: Mindy Rose Schwartz at Interstate Projects
Schwartz's sculptures are crafty, kitschy, and totally sincere.
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Newswire
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