One Work: Black Power Naps’s “Chill Pill (Rockabye Baby)”
Considering the "sleep gap" that Black and Latinx people often experience, Black Power Naps creates sites for rest.
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New York Reviews
Labor, Luster, and Lineage: “Hear Me Now” at the Metropolitan Museum of Art
While unable to profit from their skills, enslaved Black potters in 19th-century South Carolina exercised great artistry in the vessels on view.
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An Abstract Portico: Robert C. Morgan at the Scully Tomasko Foundation
The artist-critic deploys geometric abstraction as a reflection of architecture and human interactions.
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Mapping the Past: Tiffany Chung at Davidson Gallery
The Vietnamese-born, US-based artist uses archeological fragments and data visualization to probe multiple layers of history.
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Euphoria and Loss: Wolfgang Tillmans at the Museum of Modern Art
Attention to the emotional dimensions of sociopolitical moments connects Wolfgang Tillmans's bodies of work in his MoMA retrospective.
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The Enfolding: Michelle Segre at 56 Henry
Michelle Segre's offbeat sculptures made from yarn and wire embody a range of artistic and cultural references. Her recent show takes its title from an Octavia Butler novel.
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One Work: Mire Lee’s “Carriers”
Mire Lee's recent works are inspired by the concept of vorarephilia, the sexual fantasy of swallowing or being swallowed by another person or creature.
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Buried Narratives: William E. Jones at David Kordansky
William E. Jones's videos would be at home alongside 1960s-era films by such artists as Bruce Conner, Andy Warhol, or Kenneth Anger.
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Life Under Franco: Juan Genovés at Marlborough
In somber paintings rendered in gray or sepia tones, the artist conveys the terror and oppression of life in Spain during Franco's regime.
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Our Liquid Border: Zoe Leonard at Hauser & Wirth
Across Zoe Leonard’s wall-size grid of 34 photographs, “From the Los Ebanos Crossing” (2019/2021), a helicopter plays peekaboo with the viewer, changing positions as seen from…
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Newswire
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