Securing Transactions: Martine Syms at Bridget Donahue
Martine Syms's exhibition both embraces and laments the entanglement of brands and identities.
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New York Reviews
One Work: Sanford Biggers’s “7 Heavens”
In adding new symbols to an antique quilt, Sanford Biggers connects African American material culture to present struggles for Black liberation.
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Barriers to Entry: Cady Noland at Galerie Buchholz
Deploying barricades and fencing as readymades, Cady Noland's new works attempt to speak to exclusivity in and outside of the art world.
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One Work: Midge Wattles’s “Venus”
Midge Wattles documented Milton Resnick's home and studio after his death; one photograph functions as a memento mori.
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Actions Speak Louder than Words: Louise Bourgeois at the Jewish Museum
With an emphasis on Louise Bourgeois's writings, this exhibition attempts to frame her work as directly psychoanalytic.
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One Work: Alannah Farrell’s “Cutlet”
A self-portrait by Alannah Farrell alluding to top surgery blurs the boundaries among infliction, transformation, and representation.
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Seamless Portraits: Barbara Bloom at David Lewis
In her wry "Stand-Ins," Barbara Bloom homes in on details of possessions and found images to capture the lives of artists, writers, and cultural luminaries.
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Future Perfect: “Born in Flames” at the Bronx Museum of the Arts
Named after Lizzie Borden's 1983 film, the exhibition features otherworldly beings who point to alternate societies.
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Assemblage as Medium and Method: “You’ve Come a Long Way, Baby: The Sapphire Show” at Ortuzar Projects
Suzanne Jackson's 1970 "Sapphire Show" protested Black women artists' exclusion in Los Angeles.
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Cold Light: Deborah Remington at Bortolami and Craig F. Starr
A pair of New York shows highlighted the hard-edge paintings and drawings of the late Deborah Remington.
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Newswire
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