The centerpiece of Troy Brauntuch's exhibition is a set of thirty-two photo-engravings depicting installations of academic landscapes, neoclassical nudes, and equine statues in the marble-accented…
David Reed's brushstrokes, or what look like brushstrokes, race over the canvas with such speed, or what looks like speed, that they achieve a smooth, opaque stasis.
Suzanne Jackson's exhibition at Ortuzar Projects was an autobiography in visual form.
Mark McKnight's work is as concerned with negation as it is with affirmation, his images not only exposing their subjects but also anonymizing them.
Julije Knifer spent virtually his entire career painting a single motif: a meander pattern formed from interlocking right angles.
Faces jumped out of his collages and tile mosaics, whether I was looking for them or not. The more crudely sketched they were, the more unexpected and powerful was my twinge of recognition—more…
Andrea Bowers's interest in social movements and political activism, such as workers' rights rallies and protests around the proposed Dakota Access Pipeline, is central to her artwork.
Emmet Gowin's aerial photographs of landscapes evoke the apocalypse. Shot in high-contrast black-and-white and rarely printed larger than a foot square, they avoid the easy grandiosity of their…
Los Angeles–based artist Ragen Moss creates sci-fi-ish sculptures in which biomorphic forms made of clear polyethylene contain organlike objects and hang from metal armatures, suggesting cocoons or…
Hans Hofmann hung over this exhibition of Mike Kelley's paintings like an oppressive father figure to rebel against.
