Dash of Earth, Flash of Sky: Alice Trumbull Mason at Washburn Gallery
Alice Trumbull Mason, under-recognized during her lifetime, melded rhythmic forms into subtly masterful paintings in acidic and earthy hues.
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New York Reviews
Of Masks and Men: James Ensor at Gladstone Gallery
Rather than face the man in the mirror, James Ensor painted grimacing masks and grinning skeletons that riled, shocked, and symbolized his viewers.
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Icons to Icons: John Chamberlain at Gagosian
If we opt out of seeing cars in Chamberlain's crushed car sculptures, what else can we see?
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Forms of Memories: Rosemary Mayer at Swiss Institute
At a time when other artists were installing hulking monuments, Rosemary Mayer turned to her own form of "temporary monuments" for family, friends, and unknown people.
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One Work: Dorothea Rockburne’s “Interchange”
Dorothea Rockburne's first freestanding sculptures bring her carefully calibrated forms into a new dimension, with domestic and nostalgic undertones.
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Camera as Weapon—of Change: Gordon Parks at Howard Greenberg Gallery
Gordon Parks directed a pioneering blaxploitation film years after shooting documentary photographs of urban crime. This show sketched out their aesthetic and political relations.
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One Work: Etel Adnan’s “Untitled”
Mount Tamalpais was a motif of the late artist's life and paintings, exemplified by one canvas from 1984 that captures a sense of becoming.
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Replies Confidential: Robert Ashley at Roulette
Three interrogators walk into a room. An electronic orchestra begins. Robert Ashley's opera "eL/Aficionado" is an inquiry without a resolution.
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Not Relatable: April Clark and Grace Freud’s “Girl God”
In their surreal show "Girl God," trans comics April Clark and Grace Freud translate their Twitter presences to the stage.
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Swallowed Symbols: Kim Farkas at Downs & Ross
Kim Farkas's sculptures enshrine common goods signifying Chinese culture in an attempt to capture life in a diaspora.
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Newswire
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