A Sign of the Times: Kahlil Robert Irving and Lyndon Barrois Jr. at 47 Canal
Attempting to find meaning in the gaps between representations of time, this two-person exhibition is more diagnostic than dreamlike.
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New York Reviews
Turning the Tide: “Sun & Sea” at the Brooklyn Academy of Music
The opera can be understood as a consciousness-raising effort, with a self-aware approach that is both immersive and unconventional.
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Twisted and Cute: Wong Ping at the New Museum
Wong Ping's animated shorts, several made during a tumultuous political period in Hong Kong, depict characters navigating taboos, to mixed ends.
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One Work: Robert Longo’s “Untitled (Insurrection at the U.S. Capitol…)”
A photorealistic, mural-size rendering of the insurrection at the US Capitol is less a glorification than a troubling of the scene.
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Pieced Together: Mary Lee Bendolph at Nicelle Beauchene
Eleven quilts exemplify how Mary Lee Bendolph integrated distinctive forms and personal concerns into inherited patterns.
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Securing Transactions: Martine Syms at Bridget Donahue
Martine Syms's exhibition both embraces and laments the entanglement of brands and identities.
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One Work: Sanford Biggers’s “7 Heavens”
In adding new symbols to an antique quilt, Sanford Biggers connects African American material culture to present struggles for Black liberation.
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Barriers to Entry: Cady Noland at Galerie Buchholz
Deploying barricades and fencing as readymades, Cady Noland's new works attempt to speak to exclusivity in and outside of the art world.
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One Work: Midge Wattles’s “Venus”
Midge Wattles documented Milton Resnick's home and studio after his death; one photograph functions as a memento mori.
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Actions Speak Louder than Words: Louise Bourgeois at the Jewish Museum
With an emphasis on Louise Bourgeois's writings, this exhibition attempts to frame her work as directly psychoanalytic.
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