How Iconic Gallery Just Above Midtown Swapped Art History’s Lone Geniuses for Vibrant Community
A show at MoMA pays tribute to a bastion for Black artists starting in 1974.
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New York Reviews
Untamed, Shifting Landscapes: Brett Goodroad at Greene Naftali
Linger a moment and Goodroad's frequently murky pictures dissolve into tracts of color, patches of texture, fields of forms, evocations of feelings.
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Ancient Feminine Power: “She Who Wrote” at the Morgan Library
An exhibition about history's first known author, Enheduanna, challenges narratives about the roles of women in early society.
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One Work: Black Power Naps’s “Chill Pill (Rockabye Baby)”
Considering the "sleep gap" that Black and Latinx people often experience, Black Power Naps creates sites for rest.
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Labor, Luster, and Lineage: “Hear Me Now” at the Metropolitan Museum of Art
While unable to profit from their skills, enslaved Black potters in 19th-century South Carolina exercised great artistry in the vessels on view.
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An Abstract Portico: Robert C. Morgan at the Scully Tomasko Foundation
The artist-critic deploys geometric abstraction as a reflection of architecture and human interactions.
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Mapping the Past: Tiffany Chung at Davidson Gallery
The Vietnamese-born, US-based artist uses archeological fragments and data visualization to probe multiple layers of history.
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Euphoria and Loss: Wolfgang Tillmans at the Museum of Modern Art
Attention to the emotional dimensions of sociopolitical moments connects Wolfgang Tillmans's bodies of work in his MoMA retrospective.
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The Enfolding: Michelle Segre at 56 Henry
Michelle Segre's offbeat sculptures made from yarn and wire embody a range of artistic and cultural references. Her recent show takes its title from an Octavia Butler novel.
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One Work: Mire Lee’s “Carriers”
Mire Lee's recent works are inspired by the concept of vorarephilia, the sexual fantasy of swallowing or being swallowed by another person or creature.
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