In the 1990s, Karen Kilimnik's name was virtually synonymous with the slacker genre of "scatter art": haphazard installations of stuff that, like three-dimensional mood boards, circled around a theme.
Anni and Josef Albers did not have children. If they had, the kids might have grown up to make work like Brent Wadden's. The Canadian artist uses Anni's medium, weaving, to create abstract…
Douglas Rieger's sculptures imply the human figure but aren't exactly figurative.
David Lynch's exhibition at Sperone Westwater, "Squeaky Flies in the Mud," found the seventy-three-year-old auteur at his worst.
At first glance, "Shadows on the Wall," Meredith James's exhibition at Jack Hanley, looked like a sparse arrangement of nondescript midcentury furnishings: an armchair, desk, office chair, medicine…
Torkwase Dyson's work often uses abstract forms to address legacies of trans-Atlantic slavery and the African diaspora.
Over the past year or so, Brendan Fernandes, who trained as a ballet dancer before turning to visual art, has been making work that explicitly foregrounds dance's reliance on mastery, skill, and…
While critics have never dared question the seriousness of Hannah Wilke's work concerning cancer, her earlier work was regularly dismissed as that of a narcissistic pretty woman who was neither…
With "Robert Morris: Para-Architectural Projects," Hunter College's Leubsdorf Gallery spotlighted a seldom-seen portfolio by a postwar artist whose sculpture and writings helped define the Minimalist…
This small but stirring exhibition was titled "George Tooker: Contemplative Gaze," begging the question, to whom does that gaze belong?
