Self-taught photographer Robert Giard is best remembered today for his distinctive black-and-white series depicting gay and lesbian writers, which he began in the summer of 1985, after seeing two…
Donald Judd, who did not identify as a sculptor, pushed against the convention of dividing the arts according to medium and use.
Ilana Harris-Babou's videos typically lampoon aspirational lifestyle trends associated with privileged consumer demographics that betray histories of racial oppression. For "Decision Fatigue," her…
The recent showing of Kevin Jerome Everson's work at Andrew Kreps coincided perfectly with the revival of a national conversation involving the clumsy euphemisms of labor—"essential" versus…
The first thing I encountered in "Gerhard Richter: Painting After All" was not in fact a painting, but my own reflection, or something like it: a blurred form thrown back at me by 11 Panes (2004), a…
In 1932, at age fifty, Agnes Pelton, moved from Long Island to the desert town of Cathedral City, California, and, shortly thereafter, witnessed a great storm. She captured her impressions in the…
Seemingly an odd sideline for a trained architect, Jean-Jacques Lequeu's sexual image-making is in fact key to his legacy, evidence of an artistic project sparked by revolution.
Combining fleshy silicone and spindly nickel-plated steel rods in strangely alluring ways, the sculptures in Hannah Levy's show, "Pendulous Picnic," suggested the elegant fantasies of a paraphiliac.
Katherine Hubbard makes carefully considered references to Minimalism in her photography, with particular attention to Minimalist sculpture's ambition to reorient the viewer's relationship to the…
The standard narrative of American painting has long focused on the notion of European-influenced modernism erupting into postwar Abstract Expressionism. But this potted history obscures the work of…