One Work: Eva Hesse’s “Expanded Expansion”
The recent conservation of Hesse's once-flexible sculpture, made of 13 draped latex panels, prompts questions about her approach to material instability.
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Got Milk?: Ani Liu at Cuchifritos Gallery + Project Space
In visualizing her experience as a new mother, Ani Liu helps remove the shroud of mystery around the postpartum period while questioning societal expectations for caretaking.
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Paper and Politics: Amy Lien and Enzo Camacho at 47 Canal
Amy Lien and Enzo Camacho explore the politics of land use through found materials.
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Who Took the Dogs Out?: William Wegman at Sperone Westwater
Almost no Weimaraners appear in this survey of William Wegman's works, which offers a wider view of the artist's humble humor.
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Not Your Grandfather’s Axe: Coleman Collins at Brief Histories
How can someone recover a lost history? What are the limits of inheritance? Coleman Collins uses his DNA as a material to explore paradoxes of identity.
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Weeding and Seeding Histories: Walid Raad at Paula Cooper
Walid Raad's latest works share a sense of serious play, shrinking political figures and magnifying their countries' flora and fauna to allegorize human conflicts.
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Fighting Enfreakment: Lorenza Böttner at the Leslie-Lohman Museum of Art
A disabled artist toys with the politics of staring. But the curation of her mini-retrospective exposes the limits of self-representation.
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One Work: Rosa Bonheur’s “The Horse Fair”
In her art as in her life, Rosa Bonheur exceeded categorizations, as demonstrated by her sixteen-foot masterpiece portraying a lively scene with some twenty horses.
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Swirls of Flesh: Dorothea Tanning at Kasmin Gallery
The range of paintings on view showcased Tanning's strengths as a colorist as well as her more muddled efforts.
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Reconstructive Memory: Sam Spillman at Ulterior
Ulterior's first exhibition in their new location comprises a renovation that is also a semi-autobiographical artwork.
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