A Central Axis: David Driskell at the High Museum of Art
A major survey emphasizes that David Driskell's contributions to art history were rooted in his own work, which refracted the concerns of Black Americans.
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Allana Clarke Talks Back to History
Working with beauty products and other everyday materials, the Caribbean-born artist refutes the urge to assimilate.
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One Work: Rindon Johnson’s “Coeval Proposition #1: Tear down so as to make flat…”
With a towering wooden sculpture installed at SculptureCenter, Rindon Johnson reclaims the architecture and symbolism of a Bay Area landmark.
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Sasha Gordon’s Perturbing Paintings of Recreation
Gordon's vibrant and detailed depictions of leisure retain a palpable sense of unease.
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Hard Choices: Should You Be an Art Critic?
Take this quiz and tally your score to see if you're ready to activate the discourse.
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Oren Pinhassi on Erotic Architecture and Sculpting with Sand
The sculptor walks us through his show "Lone and Level" at Helena Anrather.
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How Danielle Brathwaite-Shirley Archives the Black Trans Experience
The artist and game developer creates virtual experiences for Black trans people, where their stories can be stored and celebrated.
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Confronting Erasure: “Promise, Witness, Remembrance” at the Speed Art Museum
The exhibition explores the parameters of Black representation and expression in America and in the wake of violence.
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GANs and NFTs
Blockchain and AI are two big, buzzy art-and-tech topics, and they have intersected in unexpected ways, especially during this year's crypto art boom.
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Controlled Chaos: Katie Bell at Spencer Brownstone
Katie Bell's show "ARENA" at Spencer Brownstone offers a playfully domestic take on Post-Minimalist scatter art.
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