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Fred Wilson, Guarded View, 1991, as installed in ”Black Male: Representations of Masculinity in Contemporary American Art,” 1994-95. Photo Geoffrey Clements.
Fred Wilson, Guarded View, 1991, as installed in ”Black Male: Representations of Masculinity in Contemporary American Art,” 1994-95. Photo Geoffrey Clements.
Leon Golub: Three Seated Black Men, 1986, acrylic on linen. Courtesy Ronald Feldman Fine Arts, New York. Photo David Reynolds.
Renee Cox: It Shall Be Named, 1994, 11 silver gelatin prints in mahogany frame, 105 by 104 1/2 by 4 3/4 inches.
Andres Serrano: Nomads (Sir Leonard), 1990, cibachrome, plexiglass, wooden frame, 50 by 60 inches. Courtesy Galerie Nathalie Obadia, Paris/Brussels.
Robert Colescott: Temptation of St. Anthony, 1983, installed in “Robert Colescott: A Retrospective” at the New Museum of Contemporary Art, 1989. Courtesy New Museum, New York. Photo Fred Scruton.