
Olafur Eliasson and Minik Rosing: Ice Watch, 2014, the extraction of twelve ice blocks in Nuuk, Greenland, 2015.
Olafur Eliasson and Minik Rosing: Ice Watch, 2014, the extraction of twelve ice blocks in Nuuk, Greenland, 2015.
Olafur Eliasson and Minik Rosing: Ice Watch, 2014, installed in the Place du Panthéon, Paris, 2015.
Olafur Eliasson and Minik Rosing: Ice Watch, 2014, the extraction of twelve ice blocks in Nuuk, Greenland, 2015.
Olafur Eliasson and Minik Rosing: Ice Watch, 2014, installed in the Place du Panthéon, Paris, 2015.
Las Nietas de Nonó: Illustrations of the Mechanical, 2019, performance; in the Whitney Biennial.
View of Hito Steyerl’s installation This is the future, 2019, at the Venice Biennale.
An engraved whale tooth by an Alaska Native artist, late 19th century, black ash or graphite on sperm whale tooth, 6 1/2 by 3 by 2 inches; in “Climate Crisis: Environmental Change in the Indigenous Americas” at the Brooklyn Museum.
Alvan Fisher: Covered Wagons in the Rockies, 1837, oil on canvas, 30 by 25 inches; in “A Wildness Distant from Ourselves: Art and Ecology in 19th-Century America” at the Addison Gallery of American Art, Andover, Mass.
Ellie Ga: Gyres 1-3, 2019, two-channel video; in the Whitney Biennial.
View of Martha Rosler’s exhibition “Passionate Signals,” 2020, at the Neubauer Collegium for Culture and Society, Chicago.
Joan Jonas: Moving Off the Land, 2019, performance, at Ocean Space, Chiesa di San Lorenzo, Venice.