Olafur Eliasson and Minik Rosing: Ice Watch, 2014, the extraction of twelve ice blocks in Nuuk, Greenland, 2015.
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Image Credit: Courtesy neugerriemschneider, Berlin, and Tanya Bonakdar Gallery, New York and Los Angeles/© Olafur Eliasson. -
Image Credit: Photo Martin Argyro. Olafur Eliasson and Minik Rosing: Ice Watch, 2014, installed in the Place du Panthéon, Paris, 2015.
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Image Credit: Photo Group Greenland. Olafur Eliasson and Minik Rosing: Ice Watch, 2014, the extraction of twelve ice blocks in Nuuk, Greenland, 2015.
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Image Credit: Photo Martin Argyro. Olafur Eliasson and Minik Rosing: Ice Watch, 2014, installed in the Place du Panthéon, Paris, 2015.
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Las Nietas de Nonó: Illustrations of the Mechanical, 2019, performance; in the Whitney Biennial.
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Image Credit: Courtesy Andrew Kreps Gallery, New York, and Esther Schipper, Berlin/Photo Andrea Rossetti. View of Hito Steyerl’s installation This is the future, 2019, at the Venice Biennale.
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Image Credit: Brooklyn Museum. An engraved whale tooth by an Alaska Native artist, late 19th century, black ash or graphite on sperm whale tooth, 6 1/2 by 3 by 2 inches; in “Climate Crisis: Environmental Change in the Indigenous Americas” at the Brooklyn Museum.
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Image Credit: Addison Gallery of American Art, Phillips Academy, Andover, Mass. Alvan Fisher: Covered Wagons in the Rockies, 1837, oil on canvas, 30 by 25 inches; in “A Wildness Distant from Ourselves: Art and Ecology in 19th-Century America” at the Addison Gallery of American Art, Andover, Mass.
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Image Credit: Courtesy Bureau, New York. Bottom: Photo Paula Court. Ellie Ga: Gyres 1-3, 2019, two-channel video; in the Whitney Biennial.
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Image Credit: Photo Robert Heishman. View of Martha Rosler’s exhibition “Passionate Signals,” 2020, at the Neubauer Collegium for Culture and Society, Chicago.
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Image Credit: Courtesy TBA21–Academy/Photo Moira Ricci. Joan Jonas: Moving Off the Land, 2019, performance, at Ocean Space, Chiesa di San Lorenzo, Venice.